Leon Botstein
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[No. 8’s] main point of interest is its slow movement – a serene piece of Romantic ardour, played with admirable poetic warmth by Piers Lane…[in No. 9] Lane manages the seemingly endless cascades... —
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The Romantic Piano Concerto 81 - Rubbra & Bliss
Piers Lane (piano), The Orchestra Now, Leon Botstein
Rubbra’s Piano Concerto in G major is something special…Piers Lane’s solo playing throughout is a phenomenon of tireless technical strength, always beautifully aligned to each work’s different... —
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Chausson: Le roi arthus, Op. 23
Simon O'Neill (tenor), Daniel Okulitch (baritone), Susan Bullock (soprano), Andrew Schroeder (baritone), Garret Sorenson (tenor), Andrew Kennedy (tenor), François Le Roux (baritone), Donald McIntyre (bass-baritone), BBC Symphony Orchestra, Apollo Voices, Leon Botstein
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Naturally in jumping from string quartet to orchestra courtesy of George Szell that intimacy is exchanged for a more expansive outpouring, which The Orchestra Now handle with aplomb. —
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Stravinsky: Perséphone
Sean Panikkar (tenor), Jean Stilwell (narrator)
American Symphony Orchestra, Leon Botstein
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Zemlinsky: Lyric Symphony Op. 18
Elizabeth Byrne (soprano), John Hancock (baritone)
American Symphony Orchestra, Leon Botstein
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Scherbachov: Symphony No. 2 'Blokovskaya'
Marina Poplavskaya (soprano), Michael Wade Lee (tenor)
American Symphony Orchestra, Concert Chorale of New York, Leon Botstein
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