Morton
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Ou Beau Chastel: Leuven Chansonnier, Vol. 2
Andrew Hallock, Jonatan Alvarado, Lior Leibovici, Sollazzo Ensemble, Anna Danilevskaïa
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Vinum et Musica
Songs & Dances from Nuremberg Sources
Dominique Visse (alto), William Dongois (cornet), Hildegard Wippermann (alto shawm, dulcian), Detlef Reimers (sackbut), Annette Hils (bass dulcian, recorder), Klaus Eichhorn (organ, regal organ) & Katharina Bäuml (shawm, dulcian and direction)
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The wind ensemble is most effective in the rousing battle pieces, where one senses less the absence of words and voice. Blondel’s playing throughout is finely controlled – phrased and articulated... —
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Renaissance Duets
Anthony Rooley (Lute), James Tyler (Lute), Anthony Rooley (Orpharion), James Tyler (Bass Cittern), James Tyler (Tenor Viol)
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This is an attractive anthology of original, gracefully wrought instrumental and vocal pieces...as well as arrangements of others’ work and the beautiful anonymous chanson Ou lit de pleurs.... —
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Any CD from this superb Belgian ensemble is a cause for celebration, but this recording of 15th-century music associated with the golden age of book illumination is a pure joy. —
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A Golden Treasury of Renaissance Music
Musica Antiqua of London, Fretwork, The York Waits, Musica Secreta, Paula Chateauneuf, Suzie Le Blanc, New London Chamber Choir, Frances Kelly, Nigel North
James Wood
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The Glory of Early Music
Shirley Rumsey (lute), Joseph Payne (organ), Christopher Wilson (lute), Timothy Roberts (virginal, organ), Laurence Cummings (organ), Unicorn Ensemble, Ensemble Villanella, Rose Consort of Viols
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The Castle of Fair Welcome: Courtly Songs of the Later 15th Century
Margaret Philpot (alto), John Mark Ainsley (tenor), Peter Harvey (bass (vocal)), Rogers Covey-Crump (tenor), Gill Ross (soprano), Christopher Page (harp), Patrick Ardagh-Walter (bass (vocal)), Christopher Wilson (lute), Leigh Nixon (tenor), Gothic Voices
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