Ferrari, Benedetto
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Music For A While - Baroque Melodies
Anne Sofie Von Otter (Soprano), Jakob Lindberg (guitar & lute), Anders Ericson (theorbo) & Jory Vinikour (harpsichord & organ)
Awards:
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Gramophone Magazine, May 2005, Editor's Choice
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La bella piu bella
Songs from early baroque Italy
Roberta Invernizzi (soprano) & Craig Marchitelli (archlute & theorbo)
This is vocal writing that thrives on extremes: complex, emphatic, dissonant and brilliantly embellished...Invernizzi is a fearless singer. Some notes are stripped violently dry and thin, others... —
Awards:
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Gramophone Magazine, June 2014, Editor's Choice
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Franco Fagioli: Canzone e Cantate
Franco Fagioli (countertenor), Luca Pianca (lute), Marco Frezzato (cello), Jörg Halubek (harpsichord)
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Ensemble Anthonella provide delightfully spicy renditions of their cross-section of Ciaconas…The two recorder players have a delightfully free approach to their lines, using various flutterings... —
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Her anguished singing of the great lament 'Lasciate Averno' is immensely moving, without compromising vocal purity...All the musicians display the greatest skill and stylistic sensitivity...This... —
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Qvid Est Veritas - A Collection of Works From the 'seicento'
Olalla Alemán (soprano), Los Músicos de Su Alteza, Luis Antonio González
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Tantalo: Baroque bel canto
Josep Maria Martí Duran (theorbo), Alicia Amo (soprano), Maximilian Ehrhardt (harp), Carlos Mena, L'Armonia degli Affetti, Alessandro Urbano
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José Lemos: Io Vidi in Terra
Jose Lemos (countertenor), Jory Vinikour (harpsichord) & Deborah Fox (theorbo)
Countertenor José Lemos’ rich voice ravishes the ear in luscious numbers such as Monteverdi’s ‘Se dolce è’l tormento’; he’s not unagile vocally, either, and handles later, more ornate works... —
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In addition to playing with a fabulous sense of joie de vivre, the Australian Brandenburg players demonstrate a chameleon-like ability to take on or subtly inject different musical styles into... —
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