Dammonis
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Special offer. Ubi caritas. Italian Laude in Early Renaissance
Le Miroir de Musique, Jacob Lawrence, Sabine Lutzenberger, Dorothea Jakob, Marc Lewon, Baptiste Romain
it is doubtful that these often simple-minded and slight songs, the very essence of popular religiosity, could have been given a better hearing. —
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The Marian Consort field eight singers (four men, four women) under the marvellously controlled direction of Rory McCleery. Their sound is pure, their intonation unflappable, their balance immaculate.... —
Awards:
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International Classical Music Awards, 2026, Nominated - Early Music
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O Vergin Santa non m'abbandonare
Praise the Holy Virgin - Venetian & Florentine Laudi of the 15th and 16th century
Ensemble Daedalus
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La Historia del Beato San Martino
The History of Saint Martin,1558
Cappella Musicale di San Giacomo Maggiore Bologna, Roberto Cascio
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Vergine bella
Italian Renaissance Music
Carolyn Sampson (soprano), Clare Wilkinson (contralto), Julian Podger (teno), Robert Meunier (lute & direction)
Carolyn Sampson is lively and light-voiced against the delicate halo of sound from the lute in Cara's Fugga pur chi vol —
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O Stella matutina: Laude di Innocentius Dammonis
Laura Fabris (soprano), Gianpaolo Capuzzo (flute), Alberto Ponchio (flute), Pierluigi Polato (lute), Cristiano Contadin (viola da gamba)
Consort Veneto, Ensemble vocale Dodecantus, Marina Malavasi
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O florens rosa: La rosa nella musica del Rinascimento
Roberto Quintarelli (counter-tenor), Igor Denti (tenor)
La Rossignol
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Special offer. Sulla lira: The Voice of Orpheus
María Cristina Kiehr (soprano), Giovanni Cantarini (tenor)
Le Miroir de Musique
