Wolkenstein
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Argentum et aurum
Musical Treasures from the Early Habsburg Renaissance
Els Janssens-Vanmunster (voice), Raitis Grigalis (voice), Miriam Andersen (Swedish cowhorn), Tobie Miller (symphonia), Liane Ehlich (flute)
Ensemble Leones, Marc Lewon
Ensemble Leones has come up with a good concept and gives a very lively, transparent and authentic performance of these tunes, originally sung by balladmongers. With an ear for authenticity,... —
Awards:
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International Classical Music Awards, 2016, Winner - Early Music
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A Dies Irae is an apt place for Prohaska to begin her musically wide-ranging exploration of ‘life in death’, and the gloom is leavened by lightness elsewhere. There are early musical delights,... —
Awards:
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Presto Editor's Choice, March 2022
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Oswald von Wolkenstein: Songs of Myself
Andreas Scholl (countertenor, baritone)
Shield of Harmony Ensemble, Crawford Young (director)
Scholl seems fully at ease in this, his own musical heritage, which he delivers with a keen awareness of poetic shape and nuance, and of the fine line between speech and song in the nascent... —
Awards:
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Gramophone Magazine, May 2010, Editor's Choice
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One-eyed and pugnacious, Oswald von W roamed Europe in the early 15th century, loving, brawling, adapting and singing songs that after six centuries still leap out to bite us. Augsburg's singing... —
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Special offer. A Laurel for Landini
Catherine King (soloist), Andrew Lawrence-King (harp), Stephen Charlesworth (soloist), Leigh Nixon (soloist), Gothic Voices
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Dekameron: Czyli historia miłości średniowiecznej
T. Czechak (lute), Wanda Laddy (soprano), Malgorzata Feldgebel (fiddle)
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Vocal Music (German Courtly Song) - NEIDHART VON REUENTAL / MONCH VON SALZBURG / OSWALD VON WOLKENSTEIN (Augsburg Early Music Ensemble)
Andrea von Ramm (mezzo-soprano)
Ciarlatani, I, Augsburg Early Music Ensemble, Estampie
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