Sørensen, B
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Bent Sørensen: St Matthew Passion
The Norwegian Soloists’ Choir, Grete Pedersen and Ensemble Allegria
Sørensen’s melodic gifts imbue the score, giving the entire work a marvelous sense of fluidity. The performances are superb, and the spacious recorded sound seems designed to enhance a sense... —
Awards:
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Gramophone Magazine, July 2023, Editor's Choice
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Gramophone Magazine, Critics' Choice 2023
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Sorensen achieves a convincing transition between the two styles, using the plainchant as a kind of mediation...Sorensen specifies the positioning of the choir and individual voices: the outstanding... —
Awards:
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BBC Music Magazine, October 2012, Choral & Song Choice
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Bent Sørensen: Concertos
Leif Ove Andsnes (piano), Martin Fröst (clarinet), Tine Thing Helseth (trumpet), Norwegian Chamber Orchestra, Danish National Symphony Orchestra, Per Kristian Skalstad, Thomas Søndergård
Leif Ove Andsnes and Martin Fröst are two of the finest exponents of their instruments in the world. To that list I would add the rising star, Norwegian trumpeter Tine Thing Helseth. All three... —
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Bent Sørensen: The Island in the City
Trio con Brio Copenhagen, Danish National Symphony Orchestra, Jukka-Pekka Saraste
neither are overtly or exclusively sorrowful, each arising from an ever-changing tapestry in which memory is constantly present. It ’s a trait characteristic of Bent Sørensen (b1958), acclaimed... —
Awards:
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International Classical Music Awards, 2023, Nominated - Contemporary Music
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Sørensen: 12 Nocturnes - Piano Concerto No. 3
Katrine Gislinge (piano), Copenhagen Philharmonic, John Storgårds
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In addition to Frølund’s virtuoso range, it’s his sensitive programming that makes this disc such an interesting discovery. —
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Special offer. M Lindberg, B Sørensen, Saariaho and Tiensuu: Chamber Works
Kari Kriikku (clarinet), Kaija Saariaho (electronics), Jukka Tiensuu (harpsichord)
Arditti String Quartet
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Sørensen: Mignon
Katrine Gislinge (piano), John Storgårds (conductor/violin)
Lapland Chamber Orchestra
There is an almost unbearable, icy tenderness to [Mignon] (the excellent sleeve notes aptly describe Sorensen’s harmonies as ‘like smoke: forming suddenly only to disintegrate’) and the intricate... —
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