Cras
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Trio Boccherini's title promises conversation but the album's achievement goes beyond social chatter: three exposed string lines generate atmosphere without thickening into quartet imitation. —
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Song, piano piece, theatre interlude and duo enter one grammar: Hurel's rounded line speaks; Moretti's harp turns pedal, guitar, balafon and orchestral shimmer into touch. —
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Vassilena Serafimova proves just how much fun one can have with a marimba (and, briefly, vibraphone)...Give it a go - it's a very likeable listen. —
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Jean Cras: Music for Flute, Harp and String Trio
Juliette Hurel (flute), Marie-Pierre Langlamet (harp), Philippe Graffin (violin), Miguel da Silva (viola) & Henri Demarquette (cello)
Awards:
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Gramophone Magazine, Awards Issue 2011, Editor's Choice
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O’Brien is a patrician artist who plays with a gorgeous, pure tone, elegant phrasing, and remarkable fluidity in even the most demanding passages. She is also a keenly imaginative artist; one... —
Awards:
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International Classical Music Awards, 2023, Nominated - Solo Instrument
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Awards:
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Diapason d’Or, May 2020, Nouveauté
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L'amour, la mort, la mer
Patricia Petibon (soprano), Philippe Marchand (percussion), Susan Manoff (piano), David Venitucci (accordion), Ronan Le Bars (bagpipe), Olivier Py (vocal), Le chant des lendemains
Awards:
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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The players here are sensitive to their material, even if the close recording is a touch unkind at times to their double stopping. —
Awards:
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International Classical Music Awards, 2023, Nominated - Chamber Music
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You know you’re in unfamiliar territory when a recording’s most familiar landmark is the 1901 Cello Sonata by Jean Cras (1879-1932). But you’re in good hands when you’re guided by Astrig Siranossian... —
