Passereau
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Faced with such a variety of registers and languages, Amarcord are rarely to be faulted… I defy anyone who hears their sunny reading of Lassus's Bon jour, et puis quelles nouvelles to get it... —
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there’s a sense of eavesdropping on a spontaneous yet eloquently-argued soliloquy. Colouring is subtle, conversational banter deftly managed, and Lindberg’s tempos always feel spot on, allowing... —
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The Art Of Alfred Deller
Classic Vanguard Recordings
Alfred Deller, Desmond Dupré (lute), Walter Bergman (harpsichord), Gustav Leonhardt (harpsichord)
The Deller Consort, Oriana Concert Choir and Orchestra, Ensemble of Baroque Instruments, Leonhardt Baroque Ensemble
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Special offer. La bella Ninfa: European Madrigals circa 1600
Hallenser Madrigalisten, Andreas Gopfert
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Sacred Songs of France, Volume. I: 1198-1609
Gloriae Dei Cantores and Elizabeth C. Patterson, SharonRose Pfeiffer and Elizabeth C. Patterson
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Marco dall’Aquila - Pieces for Lute
Paul O’Dette (lute: 6-course lute by Paul Thomson, London, 1984, after Magno Tieffenbrucker, c. 1550, 6-course alto lute by Grant Tomlinson, Vancouver, 1997, after Italian models)
O’Dette, whose playing is always beguilingly eloquent, presents as many dimensions of Dall’Aquila’s output as he can. Josquin’s In te Domine speravi is an appropriate conclusion given that the... —
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Sing Noël! A European Christmas Revels
Zoe Weiss (cello), Daniel Meyers (pipe), David Coffin (soprano recorder), Laura Gulley (violin), Karim Nagi (riqq), Lakshmi Nayak (handbell), Mary Neumann (handbell), David Torrey (percussion), Sarah Tenney (percussion), Daniel Meyers (bagpipe), David Coffin (alto recorder), Daniel Meyers (tenor...
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