Banister
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Perpetual Night
17th Century Ayres and Songs
Lucile Richardot (contralto)
Ensemble Correspondances, Sébastien Daucé
The title may be ‘Perpetual Night’ but there’s absolutely nothing gloomy or unremitting about this delicious disc and its chiaroscuro play of shading and texture…Lawes and Locke may never quite... —
Awards:
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Schallplattenkritik Awards, 2018, Winner - Jahrespreis
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Diapason d’Or de l’Année, 2018, Winner - Musique baroque vocale
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Diapason d’Or, June 2018, Nouveauté
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Gramophone Awards, 2019, Finalist - Solo Vocal
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Can be recommended without reservation … the wonderful By beauteous softness, from Queen Mary’s Birthday Ode of 1689, given this performance, I could quite easily listen to for ever … there’s... —
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$12.50 -
Il Genio Inglese
Nicola Matteis, A Neapolitan in London
Ground Floor, Alice Julien-Laferrière (violin)
The stylish (and openly Europhile) young French ensemble Ground Floor, spearheaded by their own virtuoso, Alice Julien-Laferrière, gives scintillating readings of four highly polished suites,... —
Awards:
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BBC Music Magazine, November 2020, Chamber Choice
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Purcell: Close thine Eyes
Joanna Klisowska (soprano), Peter Kooij (bass), Pietro Prosser (archlute & baroque lute), Cristiano Contadin (viola da gamba), Lorenzo Feder (harpsichord & organ)
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Music at the Court of Charles II
Sara Stowe (soprano), Matthew Spring (lute), Piers Adams (recorder), Elinor Bennett (harp), Martin Souter (piano), Sharon Lindo (violin), Martin Souter (harpsichord)
Oxford Baroque
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If Love’s A Sweet Passion
Sara Macliver (soprano), Paul Dyer (director)
Australian Brandenburg Orchestra
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Special offer. Division-musick
The Art of Diminution in England in the 17th century
Musicke & mirth: Jane Achtman & Irene Klein (viola da gamba and lyra viol), Amandine Beyer (violin) & Johannes Strobl (virginal and organ)
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House of Delights
Sharon Lindo (violin), Matthew Spring (lute), Martin Souter (harpsichord), Rodrigo del Pozo (tenor), Nicholas Hurndall Smith (tenor), Kate Tansey, Sara Stowe (soprano), Matthew Spring (hurdy-gurdy), Martin Souter (organ), Rachel Elliot (soprano)
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The Theater Of Musick
Music by Matthew Locke & Henry Purcell for the London Theatre
La rêveuse, Benjamin Perrot
The instrumental group of La Rêveuse is richly resonant, tautly coherent and capable of imbuing the music with energy and elegance. The sarabands, in particular, capture the dark fantasy in... —
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