Mackenzie
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This most welcome second volume of British overtures serves to accentuate the sheer diversity of works this country produced in the genre between the 1890s and the 1940s and, moreover, where... —
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Half-forgotten overtures show the vigour of Britain's musical revivial throughout the Victorian and Edwardian eras. —
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The Romantic Piano Concerto (1991 - 2007 Edition)
Featuring pianists including Stephen Hough, Seta Tanyel, Piers Lane, Nikolai Demidenko, Martin Roscoe, Howard Shelley, Peter Donohoe, Marc-André Hamelin and Steven Osborne
Is this handsomely produced box-set worth acquiring? As a work of art alone, yes! If you have not encountered these works before, do not hesitate. Dip in anywhere and you will be rewarded. Assuming... —
Awards:
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Gramophone Magazine, May 2026, Editor's Choice
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50 CDs
$174.75 -
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The Romantic Piano Concerto 19 - Tovey & Mackenzie
Steven Osborne (piano)
BBC Scottish Symphony Orchestra, Martyn Brabbins
From the horns' call to arms at the outset of the piece to the irrepressible merrymaking of the closing pages, Edinburgh-born Sir Alexander Mackenzie's Scottish Concerto (1897) spells firm enjoyment,... —
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British Orchestral Premieres
Malta Philharmonic Orchestra, Karelia State Philharmonic Orchestra, Orion Symphony Orchestra, Michael Laus, Marius Stravinsky, Toby Purser
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Mackenzie - Violin Concerto & Pibroch Suite
Malcolm Stewart (violin)
Royal Scottish National Orchestra, Vernon Handley, David Davies
As lovely and satisfying a concerto as I’ve been introduced to in a long while —
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CD
$12.50 -
A recording like this practically recommends itself—a feast for the ear and the soul, not to be missed under any circumstances —
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CD
$12.50 -
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CD
$12.50 -
The Pied Piper of Hamelin and other Melodramas
Jed Wentz (recitation), Artem Belogurov (piano/dulcitone)
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Scottish Fantasies for Violin & Orchestra
Rachel Barton Pine (violin), Alasdair Fraser (fiddle)
Scottish Chamber Orchestra, Alexander Platt
…Barton Pine has traced the 19th-century fiddle tunes on which Bruch and the others based their works, and studied the present-day Scots folk-fiddle tradition… to restore the music to its folk... —
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