Sarti
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New. Arias for Giovanni Rubinelli
Filippo Mineccia (countertenor), Istante Collective, Alexandra Tarniceru
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Arias for Luigi Marchesi
The great castrato of the Napoleonic era
Ann Hallenberg (mezzo)
Stile Galante, Stefano Aresi
There is perhaps no singer better able to meet this challenge than Swedish mezzo-soprano Ann Hallenberg: her rich timbre, the evenness of her register and the precision of her intonation evoke... —
Awards:
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BBC Music Magazine, December 2015, Opera Choice
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Special offer. L'Olimpiade: The Opera
RecommendedRomina Basso (Megacle), Franziska Gottwald (Licida), Karina Gauvin (Argene), Nicholas Phan (Clistene), Ruth Rosique (Aristea), Nicholas Spanos (Aminta)
Venice Baroque Orchestra, Markellos Chryssicos
Within individual numbers the performances can be thrilling...the band nimbly negotiates the huge range of effects demanded by this composite score...Franziska Gottwald is spellbinding in Vivaldi's... —
Awards:
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Presto Recording of the Week, 23rd July 2012
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Arias for Benucci
Arias written for the buffo bass-baritone Francesco Benucci, Mozart’s first Figaro
Matthew Rose (bass), Katherine Watson (soprano), Anna Devin (soprano)
Arcangelo, Jonathan Cohen
Matthew Rose's protean instrument may lack the full-bodied glamour of, say, Ildebrando D'Arcangelo's, and his Italian, albeit extremely proficient, sports a noticeable English accent. Happily,... —
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In Paradisum
Tom McNichols (bass), Trevor Neal (baritone), Amber Wellborn (soprano), Brandon Hendrickson (baritone), Jesse Eschbach (organ), Elizabeth Johnson Knight (mezzo-soprano)
South Dakota Chorale, Brian A. Schmidt
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Il Finto Pariggino
Marinella Pennicchi (soprano), Mauro Squillante (mandolino), Mara Galassi (arpa a crochet)
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