Balter
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There’s one substantial work here, the highlight of the whole programme: Giles Swayne’s Riffraff (1983), composed for the organ of St Alban’s Cathedral, where it is recorded. Making arresting... —
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The Composer’s Voice: New Music from Bowling Green, Vol. 10
Myra Merritt, Solungga Liu, David Saltzman, Bowling Green Philharmonia, Emily Freeman Brown
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Abhanden
Chris Wild (cello), Mabel Kwan (piano), Greg Beyer (percussion), J. Austin Wulliman (violin), Amanda DeBoer Bartlett (soprano)
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C. Chase: Density
Claire Chase (flute), Mario Diaz de Leon (electronics), Claire Chase (bass flute), Claire Chase (electronics)
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Mr. Balter’s “… and also a fountain” stands out among an arresting batch of pieces, transforming words by Gertrude Stein into an enigmatic, deliberately intoned ritual. —
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Ryan Muncy: Hot
Ryan Muncy (soprano saxophone), Nadia Sirota (viola), Ben Melsky (harp), Claire Chase (bass flute), Ryan Muncy (alto saxophone), Ryan Muncy (baritone saxophone), Ryan Muncy (sopranino saxophone), Ryan Muncy (saxophone)
Ensemble Dal Niente, Michael Lewanski
Muncy, a superb Chicago saxophonist, claims his share of Mr. Balter’s creativity on “Hot,” which ranges from flitting solo intimacies to a boisterous, swinging finale played by Ensemble Dal... —
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Æsopica: Music of Marcos Balter
Ryan Muncy (soprano saxophone), Claire Chase (flute), Peter Tantsits (tenor), Jacob Greenberg (piano)
International Contemporary Ensemble, Ross Karre
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