Reimann, A
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Special offer. For Dieter: Hommage à Dietrich Fischer-Dieskau
RecommendedBenjamin Appl (baritone), James Baillieu (piano)
Benjamin Appl’s singing is thoughtful and enjoyable.The voice sometimes uncannily recalls that of his guru...Appl and his artistic partners deserve huge credit for making this imaginative, moving... —
Awards:
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Presto Recording of the Week, 23rd May 2025
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BBC Music Magazine, July 2025, Vocal Choice
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Presto Recordings of the Year, Winner 2025, Special Project
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Wolfgang Holzmair & Imogen Cooper: Songs by Schumann & Reimann
Recorded live at Wigmore Hall, London, on 14 December 2010
Wolfgang Holzmair (baritone) & Imogen Cooper (piano)
Holzmair's way with Schumann has always been special: his light, soft-grained baritone senses out the half-tones, the shadows, the emotional fragility of the composer's Lieder...Cooper responds... —
Awards:
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Gramophone Magazine, February 2014, Editor's Choice
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Gramophone Awards, 2014, Shortlisted - Solo Vocal
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Eve finds her voice as Prohaska and Drake navigate Eden’s bright spots and murkier corners. A heady selection of songs to intoxicate the senses; vivid storytelling and musicality. —
Awards:
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Presto Editor's Choice, April 2020
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Gramophone Awards, 2021, Shortlisted - Song
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Special offer. Reimann, A: L'Invisible
Rachel Harnisch (Ursula/Marie/Ygraine), Annika Schlicht (Marthe/Bellangère), Ronnita Miller (Handmaiden), Stephen Bronk (Grandfather/An old man/Aglovale), Thomas Blondelle (Uncle/Stranger), Tim Severloh, Matthew Shaw, Martin Wölfel (Drei Dienerinnen)
Das Orchester der Deutschen Oper Berlin,...
In the theatre, where these simple but potent stories would make a visual impact, the effect would surely be stronger than on a recording where the music alone creates atmosphere but is otherwise... —
Awards:
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Presto Editor's Choice, July 2018
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Special offer. Schumann, Reimann & Mendelssohn: Intermezzo
Anna Lucia Richter (soprano)
Schumann Quartet
The songs, with the stratospheric, laser-beam soprano of Anna Lucia Richter, fare particularly well…In the two formal quartets there’s no mistaking the passion and energy of the four players,... —
Awards:
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Opus Klassik Awards, 2019, Winner - Chamber Music (quintet)
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Awards:
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International Classical Music Awards, 2022, Nominated - Contemporary
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Reimann: Ein Traumspiel / Denn Bleiben ist nirgends
Hofer Symphoniker, Deutsches Symphonie-Orchester Berlin, Walter E. Gugerbauer, Manuel Nawri
Overall, these are skilled, diligent performances of both of Reimann's scores, made by two orchestras with different conductors in 2018 and 2014 respectively. Indeed, the orchestral writing... —
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Reimann, Henze & Rihm: Unanswered Love
Juliane Banse (soprano)
Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Christoph Poppen
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Reimann, A: Die Gespenstersonate
Hans Günter Nöcker (Der Alte), Martha Mödl (Die Mumie), Horst Hiestermann (Der Oberst), David Knutson (Der Student Arkenholz), Gudrun Sieber (Das Fräulein), Donald Grobe (Johansson) & William Dooley (Bengtsson)
Junge Deutsche Philharmonie & Ensemble Modern, Friedemann Layer, Heinz Lukas-Kindermann
Aribert Reimann's chamber score for Strindberg's far-out Ghost Sonata fantasy is sensitive and excellently performed. —
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Reimann, A: Lear
Bo Skovhus (König Lear), Katja Pieweck (Goneril), Hellen Kwon (Regan), Siobhan Stagg (Cordelia) & Erwin Leder (Narr)
Philharmoniker Hamburg & Chor der Staatsoper Hamburg, Simone Young (conductor) & Karoline Gruber (stage director)
Their Lear's score is based on quick-moving accompanied recitative with underlaying or interposed instrumental mood and atmospheric descriptions...The energy and pace of the Reimann bear witness... —
