Obrecht
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This is clearly a well-honed performance, strongest in delicate moments....This new release is a happy marriage of musicality and musicology. —
Awards:
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Gramophone Magazine, June 2023, Editor's Choice
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International Classical Music Awards, 2024, Nominated - Early Music
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Gramophone Magazine, Critics' Choice 2023
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Gramophone Awards, 2024 Winners, Early Music
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The performers manage to give these ‘dark meanderings’ some shape and purpose with contrasts of mood…vigorous interplay between the voices…and some surprising musica ficta harmonies…They are... —
Awards:
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Presto Editor's Choice, December 2017
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It remains only to say that the solo male voices of The Binchois Consort are at the top of their form and that the presentation (with booklet material by Fitch and Andrew Kirkman) meets Hyperion’s... —
Awards:
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Gramophone Awards, 2025 Shortlist, Early Music
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As the programme unfolds from deft basse danses to Marchetto Cara’s sprightly Tante volte si si si we hear an impressive and persuasive attempt to uncover Leonardo’s subliminal music. —
Awards:
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Diapason d’Or, Summer Issue 2019
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Gramophone Awards, 2020, Finalist - Early Music
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Their tone is rich, without persistent vibrato, and with one voice per part they delineate each polyphonic strand through different hues of vowel-sounds and shades of vocal effort. They are... —
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Works by Josquin and Obrecht are among the gems in this excellent collection. Crisp, one-to-a-part performances benefit from majestic recorded sound. —
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Basevi Codex, Music At the Court of Margaret of Austria
Dorothee Mields (performer), Boreas Quartett Bremen
The brilliant Dorothee Mields and the excellent Boreas Quartett Bremen take us on a fascinating musical journey through time and inspire us with their high art of interpretation, with a perfect... —
Awards:
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International Classical Music Awards, 2022, Winner - Early Music
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Special offer. Plorer, Gemir, Crier: Hommage to Johannes Ockeghem
Diabolus in Musica, Antoine Guerber (direction)
This performance [of the Obrecht] is so well judged that it positively invites repeated listening...[Diabolus in Musica's] sound is quite distinctive; grainy, but not obtrusively so. —
Awards:
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Gramophone Magazine, January 2013, Editor's Choice
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Ottaviano dei Petrucci Odhecaton
Published in 1501 by Ottaviano dei Petrucci, this landmark "Offering of Polyphonic Chansons" collected music by Obrecht, Isaac, Josquin and other Burgundian masters
Fretwork
Fretwork remain the world's leading viol consort...Outstanding. —
Awards:
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Gramophone Magazine, March 2002, Editor's Choice
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Audio formats guide -
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The Oxford Camerata and Jeremy Summerly do this wonderful music proud as they listen and carefully balance, quiet polyphonic lines and direction —
