Taylor, S A
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Finally, Imprimatur by Agócs, the strongest work on the album, if also the most conventional in sonority and harmony, with an arresting chordal opening, immediately set against a more dissonant... —
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The Machine Awakes
Music by Stephen Andrew Taylor
Amy van Roekel (soprano), Gloria Cheng (piano), Daniel Schlosberg (piano), Michael Cameron (double bass), Oto Carillo (horn), Masumi Rostad (viola), Ann Yeung (harp), Stephen Andrew Taylor (electronics)
Sinfonia da Camera
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Voyage: American Works for Flute and Harp
Ann Yeung (harp), Jonathan Keeble (flute), Stephen Andrew Taylor (electronics)
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World Without Words
Debra Richtmeyer (saxophone), Leng-leng Lam (piano), Henning Schroder (soprano saxophone), James Spigner (alto saxophone), Heidi Radtke Siberz (tenor saxophone), Sam Falcone (baritone saxophone), Ed Martin (electronics), Michael Holmes (soprano saxophone), Nathan Mandel (alto saxophone), Noa Even...
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Thirty-two new piano pieces composed in tribute to the late Steven Stucky, imbued with the anger, confusion and sorrow of grief, and the joy of memory. Intense and eloquent. —
