Hart, James
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Perpetual Night
17th Century Ayres and Songs
Lucile Richardot (contralto)
Ensemble Correspondances, Sébastien Daucé
The title may be ‘Perpetual Night’ but there’s absolutely nothing gloomy or unremitting about this delicious disc and its chiaroscuro play of shading and texture…Lawes and Locke may never quite... —
Awards:
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Schallplattenkritik Awards, 2018, Winner - Jahrespreis
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Diapason d’Or de l’Année, 2018, Winner - Musique baroque vocale
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Diapason d’Or, June 2018, Nouveauté
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Gramophone Awards, 2019, Finalist - Solo Vocal
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Choral blend and enunciation are immaculate, at their very best in Martin's Songs of Ariel…it's particularly good to see 'Let mine eyes run down with tears' among the more familiar numbers -... —
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The instrumental playing under Bertrand Cuiller is supple and vivid, but the real star of the show here is soprano Rachel Redmond: she sings an Akeyrode drinking song with bright swagger and... —
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Music at the Court of Charles II
Sara Stowe (soprano), Matthew Spring (lute), Piers Adams (recorder), Elinor Bennett (harp), Martin Souter (piano), Sharon Lindo (violin), Martin Souter (harpsichord)
Oxford Baroque
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The Business of Angels: English Recorder Music from the Stuart Era
Lucas Harris (baroque guitar), Borys Medicky (harpsichord), Joelle Morton (bass viol), Nadina Mackie Jackson (baroque bassoon), Alison Melville (recorder), Lucas Harris (archlute)
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Letters and Songs of Love
John George Vanderbilt Spencer-Churchill (narrator), Michael Overbury (harpsichord), Margaret Howard (narrator), Matthew Spring (lute), David Bellan (narrator), Bernard Palmer (narrator), Martin Souter (harpsichord), Sara Stowe (soprano), Elinor Bennett (harp)
Oxford Baroque, Musica Donum Dei
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The Theater Of Musick
Music by Matthew Locke & Henry Purcell for the London Theatre
La rêveuse, Benjamin Perrot
The instrumental group of La Rêveuse is richly resonant, tautly coherent and capable of imbuing the music with energy and elegance. The sarabands, in particular, capture the dark fantasy in... —
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