Veneziano
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Gaetano Veneziano: Passio
Raffaele Pe (Evangelista), Luca Cervoni (Christus) & Marco Bussi (Pilatus)
Ghislieri Choir & Cappella Neapolitana, Antonio Florio
Raffaele Pe…carries the drama well right from the evocative opening narration … the Ghislieri Choir makes the most of its few interjections… Cappella Neapolitana and conductor Antonio Florio... —
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Lefebvre’s ardently poetic singing is matched stride for stride by responsively contoured playing; the pathos-laden slower and softer sections are spellbinding … the first lesson for Tenebrae... —
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Ricchezza: Los Santos Niños
Marta Fumagalli (San Giusto), Federica Pagliuca (San Pastore), Luca Cervoni (Soldato) & Giuseppe Naviglio (Daciano)
Cappella Neapolitana, Antonio Florio
The oratorio is essentially an extended trial scene set to fluent music of contrapuntal elegance and appositely varying dramatic moods for all four participants…The boys are characterised with... —
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Veneziano: La Santissima Trinità
Leslie Visco (Vergine), Cristina Grifone (Amor Divino), Filippo Mineccia (Sapienza), Rosario Totaro (Onnipotenza) & Giuseppe Naviglio (Peccato)
I Turchini, Antonio Florio
As befits their years of experience in this repertoire, Antonio Florio and I Turchini present valuable evidence of the musical merits of a neglected generation of Italian composers. —
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Tenebrae
Neapolitan music for the Holy Week
Valentina Varriale (soprano)
I Turchini, Antonio Florio (direction)
[The Lamentations of Caresana] provide Varriale with opportunities to beautifully emote long, arching phrases that convey restrained yet judicious word-painting, and the instrumental writing... —
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Veneziano: In Officium Defunctorum
Nocturnes for the Dead
Jenny Högström (soprano), Filippo Mineccia (countertenor), Kevin Skelton (tenor) & Marc Pantus (bass)
Ensemble Odyssee, Andrea Friggi
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Il Tesoro di San Gennaro
Sacred Music in early 18th century Naples
Valentina Varriale, Leslie Visco (sopranos), Filippo Mineccia (countertenor), Rosario Totaro, Pino De Vittorio (tenors) & Giuseppe Naviglio (bass)
I Turchini, Antonio Florio
With playing as light and bubbly as a glass of prosecco, the quasi-ebullience of Domenico Scarlatti's motet and Sinfonias are threaded through a Baroque salutation to Naples' favourite Saint. —
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Responde Mihi: Liturgical Music in Baroque Naples
Antonella Ippolito, Jane Houghton (sopranos), Daniela del Monaco (alto)
Cappella Neapolitana, Antonio Florio
the Glossa Cabinet series…have a lovely sort of family feel to them, with very nice illustrations … there is a really strong editorial sense that runs through it, that they have an idea about... —
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$12.50
