Lawes, H
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Sophie Daneman’s sensuous soprano offsets the boyish voice of the 15-year-old Rosanna Wicks, while the airy trebles of Salisbury Cathedral Choir balance the earthier tones of the lay clerks... —
Awards:
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Record Review, 11th March 2017, Recording of the Week
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Coronation Music for King James II
The Choir of Westminster Abbey, The English Concert, Simon Preston
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On Byrd's Wings
Dorothee Mields (performer), Magdalene Harer (performer), Ryosuke Sakamoto (lute), Boreas Quartett Bremen, Hathor Consort
An immensely rewarding exploration of the richness of English consort music from the Elizabethan and post-Elizabethan periods...the two sopranos and consorts tell a compelling story of invention... —
Awards:
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International Classical Music Awards, 2024, Nominated - Baroque Vocal
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Special offer. Songs for Courtiers and Cavaliers
Helen Watts (contralto), Thurston Dart (harpsichord)
Philomusica of London
An intriguing record of the roots of historically-informed performance, Helen Watts and Desmond Dupré give passionate but (by today’s standards) heavy-handed accounts. —
Awards:
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Diapason d’Or, November 2019, Collectionneur
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This is not quite a complete lexicon (there are no ‘mad songs’ for example) but it offers a worthy platform for the acclaimed musical and dramatic skills of Randall Scotting and Stephen Stubbs. —
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Henry & William Lawes - Songs
Robin Blaze (countertenor), Elizabeth Kenny (lute, theorbo), Rebecca Outram (soprano), Robert Macdonald (bass), William Carter (lute, guitar, theorbo) & Frances Kelly (double harp)
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250 Years of English Song (2CD)
Charles Brett, Neil Jenkins (tenor), Trevor Jones, Wendy Eathorne, Polly Waterfield, Ian Grammie, Catherine Mackintosh, Jane Ryan, Ian Gammie, Colin Tilney (early keyboard instruments), Philip Langridge (tenor), Adam Skeaping, Benjamin Luxon (baritone), Robert Lloyd (bass), Anthony Lewis, Norma Burrowes...
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If Love’s A Sweet Passion
Sara Macliver (soprano), Paul Dyer (director)
Australian Brandenburg Orchestra
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