Gourzi
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Plath’s tone is rich and warm; his quiet playing maintains a solid core of tone; and his high notes span an expressive range from haunting vulnerability to assertive clarion calls. Triendl is... —
Awards:
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International Classical Music Awards, 2024, Nominated - Chamber Music
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Opus Klassik Awards, 2024, Nominated - Solo Instrumental Recording of the Year
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Opus Klassik Awards, 2024, Nominated - Young Talent of the Year
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Dance For Two
Dorothee Oberlinger (recorder), Nils Mönkemeyer (viola), Dorothee Oberlinger & Nils Mönkemeyer
Awards:
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International Classical Music Awards, 2024, Nominated - Chamber Music
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Konstantia Gourzi: Whispers
William Youn (piano), Nils Mönkemeyer (viola), Konstantia Gourzi (percussion, piano)
It’s a luminous and atmospheric project, full of long, sonorous lines and warm tones, and recorded in reverberant surroundings. Guaranteed to take the listener to calm and serene places. —
Awards:
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Opus Klassik Awards, 2023, Winner - Composer of the Year
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Konstantia Gourzi: Anajikon
Nils Mönkemeyer (viola), William Youn (piano), Minguet Quartett (string quartet), Ulrich Isfort (violin), Annette Reisinger (violin), Aroa Sorin (viola), Matthias Diener (cello), Lucerne Academy Orchestra, Konstantia Gourzi
Awards:
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International Classical Music Awards, 2022, Nominated - Contemporary
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If you love the sound of German-Romantic horns, this album is for you. —
Awards:
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Gramophone Magazine, September 2023, Editor's Choice
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Awards:
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International Classical Music Awards, 2025, Nominated - Solo Instrument
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Goldberg Reflections
Niklas Liepe (violin), Nils Liepe (harpsichord, piano), Anna Lewis (viola), Nikolai Schneider (cello), Friedrich Heinrich Kern, NDR Radiophilharmonie, Jamie Phillips
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Konstantia Gourzi: Music for Piano and String Quartet
Lorenda Ramou (piano), Ensemble Coriolis: Heather Cottrell, Susanna Pietsch (violin), Klaus-Peter Werani (viola), Hanno Simons (cello)
the string quartet Israel (2004) is much the most substantial work - its range of playing techniques allied to a harmonic content such as denotes this composer's interest in combining idioms... —
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