Lachenmann
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A charm of lullabies, or an excess? If anyone could convince you that mostly slow and soft can work as an album sequence, it would be sonic magician Bertrand Chamayou...Within the narrow compass... —
Awards:
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Gramophone Magazine, Awards Issue 2020, Editor's Choice
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Presto Recording of the Week, 16th October 2020
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Presto Recordings of the Year, Finalist 2020
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For all three quartets, a macrocosm of underworldly music finds both refinement and yet abandon in this standout recording. —
Awards:
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Gramophone Magazine, December 2025, Editor's Choice
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The Guardian Classical Albums of the Year, 2025
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Mixed themed programmes can be hit and miss, but this lovely set by the fearless Grete Pedersen explores nocturnal and oneiric modes with logic and confidence —
Awards:
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Gramophone Magazine, December 2016, Editor's Choice
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Helmut Lachenmann: My Melodies
Helmut Lachenmann (narrator), Johann Jahn (narrator), Symphonie-Orchester des Bayerischen Rundfunks, Matthias Hermann
Score, performance, recording: all as exhilarating as a work for eight horns and orchestra has any right to be. —
Awards:
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International Classical Music Awards, 2025, Nominated - Contemporary Music
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Sunday Times, 20 Best Classical Albums of 2024
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Awards:
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Opus Klassik Awards, 2023, Nominated - Female Singer of the Year
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Lachenmann: Salut für Caudwell, Les Consolations & Concertini
Wilhelm Bruck (guitar) & Theodor Ross (guitar), Schola Heidelberg, WDR Sinfonieorchester Koln
Klangforum Wien, Johannes Kalitze
The orchestra or large ensemble (or, one might say, Lachenmann's consummate mastery of it) is the very subject of the most recent piece here, Concertini...It's difficult to over-praise the commitment... —
Awards:
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Sunday Times, 2010, Albums of the Year
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Musica viva, Vol. 51 Helmut Lachenmann
Stefan Tischler, Yukiko Sugawara, Tomoko Hemmi, Alexander Waite, Symphonie-Orchester des Bayerischen Rundfunks, Sir Simon Rattle, Matthias Hermann
A new Musica Viva recording [of the Tuba Concerto], featuring the BRSO live with soloist Stefan Tischler and conducted by Simon Rattle, well captures the work's sparkle, then its surprisingly... —
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