Bremen Weser-Renaissance
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Vincenzo Albrici: Sacred Cantatas
Weser-Renaissance|Manfred Cordes, Weser Renaissance, Manfred Cordes
Each short aria-like section is linked by ritornellos of smiling blissfulness for violins and dulcian... There is bright airiness in solo motets for alto and tenor... Albrici’s extended contrapuntal... —
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Every so often we get a timely reminder of what a terrific, versatile composer Sweelinck is... It's very stylish playing and a fitting tribute [to organist Edoardo Bellotti], highly recommended. —
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Michael Praetorius; Heinrich Schütz: Music From Wolfenbüttel Castle, Vol. 6 - Sacred Works in Parallel Settings
Bremen Weser-Renaissance, Manfred Cordes
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Friedens-Seufftzer Und Jubel-Geschrey: Music for the Peace of Westphalia 1648
Bremen Weser-Renaissance, Manfred Cordes
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Historically speaking this disc is very important as it reveals a part of Moritz's activities which is barely known. Its significance is not confined to that, because it also gives us some insight... —
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Rossi, C: Il sacrifizio di Abram
Susanne Ryden (soprano), Jan Stromberg (tenor), Ralf Popken (alto)
Bremen Weser-Renaissance, Manfred Cordes
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Cordes produces a fine alternative to the smoother 'choral' versions by John Eliot Gardiner's Monteverdi Choir...The shorter motet Herr, wenn ich nur dich habe and the Venetian-influenced Canticum... —
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