Abchordis Ensemble
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Special offer. Vivaldi: Serenata A Tre, Rv690
Marie Lys (Eurilla), Sophie Rennert (Nice), Anicio Zorzi Giustiani (Alcindo), Abchordis Ensemble, Andrea Buccarella
The music is a delight throughout, and the performance mainly of a high standard. Marie Lys is a spirited Eurilla...In all, Andrea Buccarella, his soloists and his vibrant Abchordis Ensemble... —
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Special offer. Vivaldi: Cantata Per Soprano I
Arianna Vendittelli (soprano), Abchordis Ensemble, Andrea Buccarella
a good deal of the music’s vitality here comes from the performances, which treat it with respect, imagination and skill. Vendittelli is a singer whose stage experience shows in her natural... —
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Amate Stelle - Arias For Anna Maria Strada
Marie Lys (soprano), Abchordis Ensemble, Andrea Buccarella
Awards:
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Opus Klassik Awards, 2023, Nominated - Female Singer of the Year & Solo Vocal
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Special offer. Vivaldi: La Gloria e Imeneo
Vivaldi Edition Vol. 73
Teresa Iervolino (mezzo-soprano), Carlo Vistoli (countertenor), Abchordis Ensemble, Andrea Buccarella
Teresa Iervolino and countertenor Carlo Vistoli deliver all with fervour and an assured understanding of Vivaldi's vocal requirements, while Andrea Buccarella's sparkling direction is all that... —
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Il soffio di Partenope - Music for Woodwinds from 18th Century Naples
Ensemble Barocco di Napoli & Abchordis Ensemble, Tommaso Rossi (recorder), Fabio D'Onofrio (oboe), Giovanni Battista Graziadio (bassoon), Raffaele Di Donna (recorder)
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Dies Irae - Sacred & Instrumental Music from 18th Century Naples
Abchordis Ensemble, Salvo Vitale (bass vocal), Giovanni Battista Graziadio (bassoon)
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Stabat Mater - Italian Sacred Music from the 18th Century
Abchordis Ensemble, Marie Lys (soprano), Andrea Buccarella, Antonio Masotti (bass vocal), Luca Cervoni (tenor), Maria Chiara Gallo (mezzo-soprano)
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Cieco Amor: Opera Arias Written For Giuseppe Maria Boschi
Sergio Foresti, Abchordis Ensemble, Andrea Buccarella
Thrills abound, especially in the rage arias that were Boschi’s specialty. Foresti strides majestically across his register, dispatching ringing top notes; in passages of coloratura, he’s as... —