Magdalena Podkościelna
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Special offer. Bach: Johannes-Passion, BWV 245
Stephan Gähler, Philipp Kaven, Magdalena Podkościelna (soprano), Krešimir Stražanac, Robin Tritschler (tenor), Damien Guillon, Dorothee Mields (soprano), Peter Kooij (bass), Maximilian Schmitt (tenor), Collegium Vocale Gent, Philippe Herreweghe
Herreweghe’s unswerving focus is evident from the opening chorus, whose elemental summons is exactingly calibrated, dark-grained and resolute…Schmitt’s Evangelist narrates with exemplary pacing... —
Awards:
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Gramophone Magazine, March 2020, Editor's Choice
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Record Review, 22nd February 2020, Record of the Week
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BBC Music Magazine, May 2020, Choral & Song Choice
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Gramophone Awards, 2020, Shortlisted - Choral
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Gramophone Magazine, Critics' Choice 2020
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Special offer. Monteverdi: Vespro della beata Vergine (1610)
Collegium Vocale Gent, Philippe Herreweghe
Over 30 years later, Herreweghe’s radical rethinking yields shaded flexibility and kaleidoscopic dynamism...One never senses a dictating ego controlling proceedings; there is a spirit of collective... —
Awards:
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Gramophone Magazine, October 2018, Editor's Choice
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Gramophone Awards, 2019, Finalist - Choral
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New. Bernardo Pasquini: Il Mosè
Weser-Renaissance Bremen, Georg Poplutz (tenor), David Erler, Magdalena Podkościelna (soprano), Sebastian Myrus, Manfred Cordes
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Claudio Monteverdi: Messa per Maria Salute
Magdalena Podkościelna (soprano), Marie Luise Werneburg (soprano), Johannes Gaubitz (tenor), Tobias Hunger (tenor), Dominik Wörner (bass), La Capella Ducale, Musica Fiata, Roland Wilson
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There are other ways to tackle Schütz’s last testament, yet every musical element and dimension is considered and executed with acumen. —
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Telemann: Kapitänsmusik 1724
Magdalena Podkoscielna, Andreas Post, Matthias Vieweg & Ekkehard Abele
Telemannisches Collegium Michaelstein, Ludger Rémy
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The performances here by Manfred Cordes and his Weser-Renaissance Bremen are superb...they give rousing, full-blooded renditions that convey vivid engagement and enthusiasm. —
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Special offer. Schütz: Dafne
Magdalene Harer (soprano), Marie Luise Werneburg (soprano), David Erler (alto), Georg Poplutz (tenor), Magdalena Podkościelna (soprano), Tobias Hunger (tenor), Joachim Höchbauer (bass), La Capella Ducale, Musica Fiata, Roland Wilson
Showcasing musicianship of nuanced imagination, this intrepid recreation offers an eclectic assortment of little-known Schütz pieces. —
