Collegium Marianum
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Lalande: Grands Motets
Collegium Marianum, Les Pages et les Chantres du Centre de musique baroque de Versailles, Olivier Schneebeli
The woodwind solos and the rich, Lullian string textures are beautifully handled by Collegium Marianum, an ensemble from the Czech Republic. A little more weight from Lisandro Abadie would have... —
Awards:
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Gramophone Magazine, January 2019, Editor's Choice
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After the thoroughly professional and exploratory earlier volumes of the 'Music from 'Eighteenth-Century Prague' series, I expected this to be a worthwhile recording; but the music of the hitherto... —
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Zelenka: Sepolcri
Recorded in Church of Virgin Mary under the Chain, Prague, May 5–7, 2011
Hana Blažíková (soprano), David Erler (alto), Tobias Hunger (tenor) & Tomáš Král (bass)
Collegium Marianum (performed on period instruments), Jana Semerádová
Credit is due to Jana Semeradova for a world-premiere recording, and for the cool professionalism with which he and his choir illuminate the score's structure. What fails to come through is... —
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Josef Antonin Sehling: Music From 18th Century Prague
Recorded in Church of Virgin Mary under the Chain, Prague, 2014
Hana Blazikova (soprano), Marketa Cukrova (alto), Tomas Kral (baritone)
Collegium Marianum, Jana Semeradova
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Musici da Camera
Sergio Azzolini (bassoon), Lenka Torgersen (violin) & Helena Zemanova (violin)
Collegium Marianum (on period instruments), Jana Semeradova (artistic direction)
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Jiránek: Music from Eighteenth-Century Prague
Sergio Azzolini (bassoon), Xenia Loffler (oboe), Jana Semeradova (transverse flute), Lenka Torgersen (violin), Vojtech Semerad (viola d’amore)
Collegium Marianum
Collegium Marianum…play with punch and attention to detail —
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Jan Josef Ignác Brentner: Concertos and Arias
Hana Blažíková (soprano)
Collegium Marianum, Jana Semerádová
Brentner has a distinctive melodic personality and an admirable control of texture. All of the music in this well-recorded collection is beautifully performed —
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