Parker Ramsay
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Special offer. English Hymn Anthems
Alison Balsom (trumpet)
The Choir Of King’s College, Cambridge, Stephen Cleobury
The King's performance [of the Parry] is predictably idiomatic, if a touch carefully preened and respectful...[Ireland's] is a more explicitly dramatic setting, and the singers seem to relish... —
Awards:
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Gramophone Magazine, June 2015, Editor's Choice
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Awards:
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Gramophone Magazine, Critics' Choice 2020
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Traditional Christmas Carols from King's
Adam Banwell, Douglas Tang, Joel Williams, Sam Landman, Barnaby May, Rupert Peacock, Robert Busiakiewicz, Tom Etheridge, Henry Websdale, Matthew Martin (organ), Hugo Herman-Wilson, Parker Ramsay (harp), Choir of King's College Cambridge, Stephen Cleobury, Daniel Hyde
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A Requiem for Stephen: Into a Greater Light
Stephen Cleobury, Tom Pickard (soloist), James Gilchrist (soloist), Christopher Purves (soloist), Christine Rice (soloist), Elin Manahan Thomas (soloist), Henry Websdale, Guy Johnston (soloist), Charlie Baigent (soloist), Tom Etheridge, Douglas Tang, Alison Balsom (soloist), Parker Ramsay, Thomas...
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Christmas Carols by King's College Choir
Adam Banwell, Joel Williams, Douglas Tang, Parker Ramsay (harp), Henry Websdale, Jack Bowley, James Micklethwaite (tenor), Sam Landman, Barnaby May, Rupert Peacock, Robert Busiakiewicz, Tom Etheridge, Henry Hawkesworth, Choir of King's College Cambridge, Stephen Cleobury
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The Street: Nico Muhly & Alice Goodman
Parker Ramsay (harp), Rosie Hilal
Choir of King's College Cambridge
An evocative multilayered work based on the stations of the cross, this generous two-disc release gives us two takes on Nico Muhly’s The Street. The first allows Ramsay’s solo harp to shine,... —
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David Fulmer: immaculate sigh of stars
Stefan Jackiw (soloist), Jay Campbell, Conor Hanick, Mike Truesdell, Conrad Tao, Nathan Ben-Yehuda, León Bernsdorf, Parker Ramsay (harp), Deutsche Kammerphilharmonie, Horszowski Trio, Matthias Pintscher
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Favourite Carols from King's
Adam Banwell (treble)
The Choir of King's College Cambridge, Stephen Cleobury
The choir's glory remains its boy trebles, whose gleaming descants, vibrato-free production and tonal freshness are invariably the icing on the cake in these typically polished, debonair performances. —