Bruno de Sá
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Special offer. Hasse: Serpentes ignei in deserto
RecommendedPhilippe Jaroussky (Moses), Julia Lezhneva (The Angel), Bruno de Sá (Josue), Carlo Vistoli (Eleazar), Jakub Józef Orliński (Nathanael), David Hansen (Eliab)
Les Accents, Thibault Noally
It is in fact Julia Lezhneva, ‘the Angel’, who dazzles most brightly. In her second aria, she bends prestissimo passages to swoop and jump, executing more notes per second at more extreme intervals... —
Awards:
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Presto Recording of the Week, 22nd November 2024
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BBC Music Magazine, January 2025, Opera & Stage Choice
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Bruno de Sá sings with immaculate legato, and has a gift for scintillating decoration, dramatic octave drops and stratospheric ascents above the stave...The dependable Il Pomo d’Oro conducted... —
Awards:
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Presto Editor's Choice, September 2022
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International Classical Music Awards, 2023, Nominated - Baroque Vocal
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Gramophone Magazine, December 2022, Editor's Choice
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Opus Klassik Awards, 2023, Nominated - Male Singer of the Year & Solo Vocal
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Giovanni Battista Bononcini: Polifemo
Ensemble 1700, João Fernandes (bass), Helena Rasker (alto), Bruno de Sá (countertenor), Maria Ladurner (soprano), Roberta Invernizzi (soprano), Roberta Mameli (soprano), Liliya Gaysina (soprano), Dorothee Oberlinger
Bononcini knew his music theatre craft...Oberlinger is well served by a committed ensemble of singers, notably the Dutch contralto Helena Rasker who as Glauco has the kind of chest register... —
Awards:
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Record Review, 19th September 2020, Record of the Week
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Opus Klassik, 2021, Winner - World Premiere Recording
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The title Mille Affetti (a thousand feelings) perhaps promises a greater variety of vocal expressiveness than is achieved here...However his impressive high notes and the adventurousness of... —
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Nicola Antonio Porpora: Carlo Il Calvo
Franco Fagioli (Adalgiso), Max Emanuel Cenčić (Lottario), Julia Lezhneva (Gildippe), Suzanne Jerosme (Giuditta), Petr Nekoranec (Asprando), Bruno de Sá (Berardo), Nian Wang (Eduige)
Armonia Atenea, George Petrou
The singers are all first-rate. Max Cencic’s Lothar is spot on in terms of coloratura, while Franco Fagioli’s Adalgiso has a nice, almost transparent voice. Both Julia Leszhnova and Suzanne... —
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Alessandro Scarlatti: Baroque Influencer
Dorothee Oberlinger (recorder), Ensemble 1700, Bruno de Sá (soprano), Helena Rasker (alto)
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Speech-like song tumbles out of tenor Alessandro Giangrande like coins from a sack; it’s glorious. But my favourite voice on the album is that of Zachary Wilder. —
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Vivaldi: Masterpieces
Renaud Capuçon (violin), Luca Pianca (archlute), André Saint-Clivier (mandolin), Paul Tortelier (cello), Robert Veyron-Lacroix (harpsichord), Walter Vestidello (cello), Nane Calabrese (viola d'amore), Victoria de los Angeles (soprano), Bepi De Marzi, Edoardo Farina, Gianni Chiampan, Jürgen Hübscher,...
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Special offer. Roma Travestita - Piccinni: La buona figliuola,'Furie di donna irata'
Bruno de Sá (countertenor), Il Pomo d'Oro, Francesco Corti
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Impressions of Orient
Andrei Gavrilov (piano), Alexandre Tharaud (piano), Gautier Capuçon (piano), Martin James Bartlett (piano), Dezső Ránki (piano), Katarina Karnéus (mezzo-soprano), Emmanuel Pahud (flute), Anne Sofie von Otter (mezzo-soprano), Barbara Bonney (soprano), Bengt Forsberg (piano), Helmut Deutsch (piano),...
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