Sara Blanch
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Rossini: Adina
César Arrieta, Shi Zong, Emmanuel Franco, Aaron Godfrey-Mayes, Gianluca Ascheri, Sara Blanch (soprano), Kraków Philharmonic Chorus, Kraków Philharmonic Orchestra, Luciano Acocella
César Arrieta (Selimo) boasts the light, bright tone and easy agility that is needed for a Rossini hero and he is perfectly paired here with the Spanish soprano Sara Blanch, an Adina of great... —
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Special offer. Gluck: Orphée et Euridice
Juan Francisco Gatell (Orphée), Anna Prohaska (Euridice), Sara Blanch (L’Amour)
Orchestra e Coro del Maggio Musicale Fiorentino, Arno Schuitemaker’s Ballet Company, Daniele Gatti, Lorenzo Fratini
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Carl Orff: Carmina Burana
André Baleiro, Joaquín Asiáin, Sara Blanch (soprano), Orfeón Pamplonés, Orquesta de Valencia, Escolanía de Nuestra Señora de los Desamparados, Alexander Liebreich
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Special offer. Donizetti: La Fille Du Régiment
Haris Andrianos (baritone), Adriana Bignagni Lesca (mezzo-soprano), Andrea Civetta (tenor), Paolo Bordogna (baritone), Ernesto López Maturell (percussion), Sara Blanch (soprano), John Osborn (tenor), Adolfo Corrado (bass), Cristina Bugatty (actress), Alessandro Zilioli (piano), Donizetti Opera Orchestra,...
More associated with opera seria than comedy, the American tenor [Osborn] is a charming Tonio...Spanish light lyric soprano Sara Blanch is a super Marie, throwing herself into the tomboy role... —
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Rossini: Matilde di Shabran
(original Rome version)
Michele Angelini (Corradino), Sara Blanch (Matilde), Passionart Orchestra, Górecki Chamber Choir, José Miguel Pérez-Sierra
Angelini is magnificent as the villain, everything that you hope for in a Rossini tenor – fleet of voice in his runs and trills and with gravity-defying head notes. Sara Blanch’s Matilde matches... —
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Lindpaintner: Il vespro siciliano
Matija Meic (Carlo d'Anjou), César Arrieta (Alphonse Drouet), Danilo Formaggia (Il Conte di Fondi), Silvia Dalla Benetta (Eleonora), Mirco Palazzi (Giovanni da Procida)
Virtuosi Brunensis, Camerata Bach Choir, Poznań, Federico Longo
Though no masterpiece, the opera is by no means negligible. The score operates on two stylistic levels, with bravura showpieces for the aristocratic protagonists and strophic ballads for their... —
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Special offer. Donizetti: La Fille du Régiment
Sara Blanch (Marie), John Osborn (Tonio), Paolo Bordogna (Sulpice), Adriana Bignagni Lesca (Marquise de Berkenfield)
Orchestra Donizetti Opera, Chorus of Accademia Teatro Alla Scala, Michele Spotti, Luis Ernesto Doñas
The performers are evidently having a blast...With superb singing across the board, winning characterisation and witty direction, there is much to enjoy here indeed. —
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Special offer. Benet Casablancas: l'Enigma Di Lea
Allison Cook (Lea), Jose Antonio Lopez (Ram), Sara Blanch (Primera dama), Anais Masllorens (Segunda dama), Marta Infante (Tercera dama), Sonia De Munck (Millebocche), Felipe Bou (Milleocchi), Xavier Sabata (Dr Schicksal), David Alegret (Michele), Antonio Lozano (Lorenzo), Juan Noval-Moro (Augusta),...
Cook rises superbly to the challenges of the title-role, singing with tremendous dramatic fire, admirably secure over the often immense spans of Casablancas’s vocal lines. —
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Special offer. Benet Casablancas: l'Enigma Di Lea
Allison Cook (Lea), Jose Antonio Lopez (Ram), Sara Blanch (Primera dama), Anais Masllorens (Segunda dama), Marta Infante (Tercera dama), Sonia De Munck (Millebocche), Felipe Bou (Milleocchi), Xavier Sabata (Dr Schicksal), David Alegret (Michele), Antonio Lozano (Lorenzo), Juan Noval-Moro (Augusta),...
Cook rises superbly to the challenges of the title-role, singing with tremendous dramatic fire, admirably secure over the often immense spans of Casablancas’s vocal lines. —
