Rupert Charlesworth
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The two top voices here – Sandrine Piau and Katherine Watson – are well matched, with Anthea Pichanick the even, steady contralto and Rupert Charlesworth the clean, fresh-toned tenor…While Niquet’s... —
Awards:
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Presto Editor's Choice, October 2017
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Presto Recording of the Week, 1st December 2017
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Record Review, 16th December 2017, Recording of the Week
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Record Review, 14th October 2017, Recording of the Week
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Giuseppe Scarlatti: I portentosi effetti della Madre Natura
Ensemble 1700, Rupert Charlesworth (tenor), Filippo Mineccia (countertenor), Roberta Mameli (soprano), Benedetta Mazzucato (mezzo-soprano), Maria Ladurner (soprano), Niccolo Porcedda (baritone), Dana Marbach (soprano), João Fernandes (bass), Shai Kribus (oboe), Vladimir Waltham (cello), Makiko Kurabayashi...
Awards:
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Opus Klassik Awards, 2024, Winner - Opera Recording of the Year
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Café Zimmerman’s playing is by turns dynamic, precise and beguiling…although Alpha’s recording is closely miked, Charlesworth’s vocal sureness between registers remind me of the youthful Christoph... —
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As befits a recital given under the Provencal night sky, Rupert Charlesworth offers a panorama of songs about night in its multifarious guises...Charlesworth comes to his varied programme with... —
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Handel: Saul
Florian Boesch (Saul), Jake Arditti (David), Anna Prohaska (Merab), Giulia Semenzato (Michal), Rupert Charlesworth (Jonathan), Rafał Tomkiewicz (Witch of Endor), Andrew Morstein (Amalekite)
Freiburger Barockorchester, Arnold Schoenberg Chor, Christopher Moulds, Claus Guth
Whether lashing out in fortissimo melismas or whispering in pure-tone pianissimo, Boesch probes totalising extremes. Other principals match Boesch’s top quality, particularly Arditti, whose... —
Awards:
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International Classical Music Awards, 2023, Nominated - Video: Opera
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Handel: Saul
Florian Boesch (Saul), Jake Arditti (David), Anna Prohaska (Merab), Giulia Semenzato (Michal), Rupert Charlesworth (Jonathan), Rafał Tomkiewicz (Witch of Endor), Andrew Morstein (Amalekite)
Freiburger Barockorchester, Arnold Schoenberg Chor, Christopher Moulds, Claus Guth
Whether lashing out in fortissimo melismas or whispering in pure-tone pianissimo, Boesch probes totalising extremes. Other principals match Boesch’s top quality, particularly Arditti, whose... —
Awards:
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International Classical Music Awards, 2023, Nominated - Video: Opera
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Special offer. Bernardo Pasquini: L’idalma Overo Chi La Dura La Vince
Arianna Vendittelli (soprano), Rupert Charlesworth (tenor), Rocco Cavalluzzi (bass), Morgan Pearse (baritone), Margherita Maria Sala (contralto), Juan Sancho (tenor), Anita Giovanna Rosati (soprano), Innsbrucker Festwochenorchester, Alessandro De Marchi
The zesty performance seldom declines an opportunity to throw in the kitchen sink, including clattering percussion for good measure whenever comic servants are involved. —
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Café Zimmermann
Café Zimmermann (early music ensemble), Pablo Valetti, Céline Frisch (early keyboard instruments), Dirk Börner, Michael Form, Anna Fontana, Dirk Boerner, Constance Boerner, Monika Frimmer (soprano), Robin Blaze, Markus Schäfer (tenor), Les Chantres du Centre de Musique Baroque de Versailles, Petr...
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The manner of performance is vital occasional to the point of aggression, with fiercely projected rhythms offset by warmly performed slow movements. What’s for sure is that no performance is... —
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