Katia Labèque
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In short, this highly recommendable collection represents a model of imaginative and provocative programming. —
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as soon as the Orphée selection begins, it's obvious that the Labèques’ relish for Glass’s romping arpeggios, motoric rhythms and common or tricky harmonic shifts is undimmed. —
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Sonic Wires
Katia Labèque (piano), Marielle Labèque (piano), David Chalmin (guitar), Bryce Dessner (guitar)
Awards:
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Opus Klassik Awards, 2025, Innovative Listening Experience
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Special offer. Gershwin: Rhapsody in Blue & Piano Concerto in F
Marielle Labèque (piano), Katia Labèque (piano)
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Electric Fields
Barbara Hannigan (soprano), Katia Labèque (piano), Marielle Labèque (piano), David Chalmin (synths and electronics)
Hannigan floats serenely above the glittering, increasingly frenzied muscularity of Dessner’s ‘O orzchis Ecclesia’, though his ‘O nobilissima viriditas’ ultimately spills over into less convincing... —
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Special offer. Poulenc & Milhaud: Works for Two Pianos
Labèque Sisters (pianos)
Boston Symphony Orchestra, Seifi Ozawa
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It’s a privilege to eavesdrop on a partnership as sympathetic and communicative as this one...Recorded in Paris in 2005, originally on Onyx, and called simply Recital, this is outstanding music-making. —
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Simon Rattle conducts Bartók
RecommendedPeter Donohoe (piano), Kyung-Wha Chung (violin), Sylvio Gualdo & Jean-Pierre Drouet (percussion) & Katia & Marielle Labèque (pianos), Anne Sofie von Otter & Willard White
City of Birmingham Symphony Orchestra, Sir Simon Rattle
Awards:
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Gramophone Awards, 1994, Winner - Concerto
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Audio formats guide -