Marielle Labèque
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In short, this highly recommendable collection represents a model of imaginative and provocative programming. —
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as soon as the Orphée selection begins, it's obvious that the Labèques’ relish for Glass’s romping arpeggios, motoric rhythms and common or tricky harmonic shifts is undimmed. —
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Sonic Wires
Katia Labèque (piano), Marielle Labèque (piano), David Chalmin (guitar), Bryce Dessner (guitar)
Awards:
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Opus Klassik Awards, 2025, Innovative Listening Experience
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Special offer. Poulenc & Milhaud: Works for Two Pianos
Labèque Sisters (pianos)
Boston Symphony Orchestra, Seifi Ozawa
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Electric Fields
Barbara Hannigan (soprano), Katia Labèque (piano), Marielle Labèque (piano), David Chalmin (synths and electronics)
Hannigan floats serenely above the glittering, increasingly frenzied muscularity of Dessner’s ‘O orzchis Ecclesia’, though his ‘O nobilissima viriditas’ ultimately spills over into less convincing... —
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Given that the original version of Les Enfants Terrible is for three pianos and four voices, it translates well to the medium of just two pianos, and Katia and Marielle take on the work of the... —
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Mozart: The Piano Concertos
RecommendedAlfred Brendel (piano), Ingrid Haebler (piano), with Katia Labèque & Marielle Labèque (piano), with Imogen Cooper (piano)
Academy of St Martin in the Fields, Capella Academica, The Amsterdam Baroque Orchestra, Berliner Philharmoniker, Sir Neville Marriner, Eduard Melkus, Ton Koopman, Semyon...
Awards:
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Building a Library, March 2013, CD Choice
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