Cappella Amsterdam
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Special offer. Igor Stravinsky: Late Works
Cappella Amsterdam, Noord Nederlands Orkest, Daniel Reuss
The best of today's specialist vocal ensembles, whether active in period practice or devoted to the new, can more or less guarantee delivery of the required pitches though vibrato-lite accuracy... —
Awards:
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Gramophone Magazine, February 2026, Editor's Choice
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Special offer. Tales of song and sadness
Cappella Amsterdam, Orchestra of the 18th Century, Daniel Reuss, Frans Brüggen
This recording must contain some of the finest ever interpretations of these works: the choral singing, especially, is exceptional in its clarity and super-precise tuning. Daniel Reuss's conducting... —
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BBC Music Magazine, February 2026, Choral Choice
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Lang’s music is subtle yet affecting in its unsentimental exploration of the human condition, and is met here with a performance of sensitivity and poise. —
Awards:
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Presto Editor's Choice, June 2022
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It is a mixed choir of 15 voices which work together splendidly, even if Lassus rarely uses the different ranges to enhance the meaning of the text...An insightful, rewarding and musical recording. —
Awards:
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International Classical Music Awards, 2026, Nominated - Early Music
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Martin, F: Golgotha
Judith Gauthier (soprano), Marianne Beate Kielland (alto), Adrian Thompson (tenor), Mattijs van de Woerd (baritone) & Konstantin Wolff (bass)
Cappella Amsterdam, Estonian Philharmonic Chamber Choir & Estonian National Symphony Orchestra, Daniel Reuss
A restrained, haunting chromaticism suffuses the music...The choral contributions throughout are engaged and responsive...this is a strong performance of a work where this is limited competition... —
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Gramophone Awards, 2010, Finalist - Choral
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Record Review, December 2010, Critics' Disc of the Year
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Psalms of Repentance is a deeply serious, spiritual work that leaves one with a sense of quiet awe. Apart from the score itself, the musicianship and recording are of very high quality. The... —
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$21.00 -
the constant interplay between these two composers makes their stylistic differences seem more apparent than real. Not the least reason for this is the expertise of Cappella Amsterdam and unforced... —
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Reuss coaxes sable timbres from his 16-voice ensemble, wrapping the listener in a dark shroud – apt for these musical reflections on the transience of things. The singers’ vocal production is... —
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Brahms: Ein deutsches Requiem, Op. 45 (Live)
Carolyn Sampson (soprano), André Morsch (baritone), Orchestra of the 18th Century, Cappella Amsterdam, Daniel Reuss
The smaller than usual choir for this work and the orchestra’s period instruments, together with a general observance of the metronome markings from the first performance in 1868, lend this... —
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