Liza Ferschtman
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Special offer. Bottesini: Capriccio di Bravura
Rick Stotijn (double bass), Liza Ferschtman (violin), Monika Leskovar (cello), Christianne Stotijn (mezzo-soprano) & Hans Eijsackers (piano)
Amsterdam Sinfonietta, Candida Thompson
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Röntgen: Violin Concertos
Liza Ferschtman (violin)
Deutsche Staatsphilharmonie Rheinland-Pfalz, David Porcelijn
The performances under David Porcelijn's watchful direction are wholly admirable; soloist Liza Ferschtman responds with both keen poetry and pinpoint accuracy. Sound and balance are also first-rate,... —
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Moonshadow Sunshadow
Guy Livingston, Tomoko Mukaiyama, Liza Ferschtman (violin), Esther Hoppe, Ivo Janssen (piano), Eleonore Pameijer, Isabel Ettenauer, Ensemble Present, Radio Kamerorkest, Jurjen Hempel, Kenneth Montgomery
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Chamber Concerto
Liza Ferschtman (violin), Ole Christian Haagenrud, Nabila Chajai, Colin Currie (percussion), Marijn Simons
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Beethoven: Violin Sonata No. 10 in G major, Op. 96, etc.
Liza Ferschtman (violin) & Inon Barnatan (piano)
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Beethoven: Violin Concerto & Romances
Liza Ferschtman (violin)
Netherlands Symphony Orchestra, Jan Willem de Vriend
These are fine, thoughtful performances, noteworthy in several respects...the orchestra matches [Ferschtman's] clear, unfussy phrasing...Ferschtman's interpretation is constantly illuminating. —
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Dvorak: Violin Concerto in A minor
Liza Ferschtman (violin)
Netherlands Philharmonic Orchestra, Mario Venzago
Liza Ferschtman plays with astonishing command, accuracy and firepower (there really isn't a flaw anywhere), and brings plenty of fiery passion to one lyrical passage after another...Venzago... —
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Ferschtman's programme is clearly planned so that each piece illuminates its companions...the Berio is suitably uncompromsing at the start and wonderfully dextrous in the quick passagework. —
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Liza & Dmitry Ferschtman: Duos for Violin & Cello
Liza Ferschtman (violin) & Dmitry Ferschtman (cello)
Pungent performances of three fine duos by seasoned veterans: the Kodaly is a little formal, but the Ravel is visceral. The Schulhoff is at once haunting and raw. —
