Filippo Mineccia
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New. Arias for Giovanni Rubinelli
Filippo Mineccia (countertenor), Istante Collective, Alexandra Tarniceru
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Special offer. Monteverdi: Il Ritorno d'Ulisse in Patria
Filippo Mineccia (soloist), Alex Rosen (soloist), Ambroisine Bré (soloist), Marie Perbost (soloist), Lucile Richardot (soloist), Pierre-Antoine Chaumien (soloist), Cyril Auvity (soloist), Juan Sancho (soloist), Valerio Contaldo (soloist), Marielou Jacquard (soloist), Jörg Schneider (soloist), Fabien...
Such is the power of Richardot’s magnificent performance that it might have swamped all else. That it does not is tribute to a splendidly accomplished cast...truly a unique performance, one... —
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Opera, September 2022, Disc of the Month
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Special offer. Pergolesi & Vivaldi: Stabat Mater pour deux castrats
Samuel Mariño, Filippo Mineccia, Marie Van Rhijn, Orchestre de l'Opéra Royal
This entire disc is held together by the capable direction of Marie van Rijn, who offers an accompaniment in which the string orchestra is an equal partner with the voices. The phrasing is precise,... —
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Special offer. Les 3 Contre-Tenors: Le Concours de Virtuosite Des Castrats
Samuel Mariño, Valer Barna-Sabadus, Filippo Mineccia, Orchestre de l'Opéra Royal, Stefan Plewniak
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Siface: L’amor castrato
Arias by Stradella, Pasquini, Cavalli, Scarlatti et al.
Filippo Mineccia (countertenor)
Nereydas, Javier Ulises Illán
This is repertory...that for the most part suits his dark, handsome-sounding alto uncommonly well. Long, slowly unfolding lines are sustained with consummate ease and his coloratura has admirable... —
Awards:
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Gramophone Magazine, July 2018, Editor's Choice
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Caresana: L’Adoratione de’ Maggi
Recorded in Naples in December 2009
Maria Grazia Schiavo, Valentina Varriale (sopranos), Filippo Mineccia (countertenor), Giuseppe De Vittorio, Rosario Totaro (tenors) & Giuseppe Naviglio (bass)
I Turchini, Antonio Florio (direction)
This collection of Nativity cantatas suggests a richly colourful, dramatically inclined musical personality...Antonio Florio directs the period instruments of I Turchini pliantly. This is a... —
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BBC Music Magazine, December 2010, Christmas Choice
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Gasparini: Il Bajazet
Leonardo De Lisi (Bajazet), Filippo Mineccia (Tamerlano), Giuseppina Bridelli (Asteria), Ewa Gubanska (Irene), Antonio Giovannini (Andronico), Benedetta Mazzucato (Clearco), Raffaele Pe (Leone), Giorgia Cinciripi (Zaida)
Auser Musici, Carlo Ipata
Leonardo De Lisi commands Borosini's odd tenor-baritone register…and communicates Bajazet's brooding complexity even in the shortest of numbers. Countertenor Filippo Mineccia's edgy, ferocious... —
Awards:
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Gramophone Magazine, July 2015, Editor's Choice
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Special offer. Handel: Giulio Cesare in Egitto
Marie-Nicole Lemieux (Giulio Cesare), Karina Gauvin (Cleopatra), Romina Basso (Cornelia), Emoke Barath (Sesto), Filippo Mineccia (Tolomeo), Johannes Weisser (Achilla), Milena Storti (Nireno), Gianluca Buratto (Curio)
Il Complesso Barocco, Alan Curtis
if all ears were once on the Egyptian seductress Cleopatra, now they are focused on the grieving Roman widow Cornelia...Curtis presents a Giulio Cesare that is as volatile and ambiguous as Mozart's... —
Awards:
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Gramophone Magazine, March 2013, Editor's Choice
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Filippo Mineccia is a visceral performer for whom dramatic characterisation seems to be paramount, while the range of musical moods provides some scope for versatile and astute musicianship…the... —
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Special offer. Vivaldi: Il Tamerlano (Il Bajazet) RV 703
Bruno Taddia (Bajazet), Filippo Mineccia (Tamerlano), Delphine Galou (Asteria), Sophie Rennert (Irene), Marina De Liso (Andronico), Arianna Venditelli (Idaspe), Accademia Bizantina, Ottavio Dantone
It is impossible to be certain how much of Il Tamerlano was actually composed by Antonio Vivaldi...And yet this musical collage sounds unmistakeably Vivaldian...If the countertenor Filippo Mineccia’s... —
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