London Early Opera
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Crowe and Bevan recreate two prime donne through their own blazing talents. —
Awards:
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BBC Music Magazine, October 2019, Recording of the Month
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Gramophone Awards, 2020, Shortlisted - Recital
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Handel at Vauxhall Vol. 2
Claire Bessant, Mary Bevan, Eleanor Dennis, Benjamin Bevan, Charles MacDougal, Nicky Spence, Greg Tassell
London Early Opera, Bridget Cunningham
Cunningham (aided by scholar David E Coke) achieves a healthy balance between presenting the fruits of research and creative programming. —
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Special offer. Handel: Caio Fabriccio, Hwv A9
Fleur Barron (mezzo-soprano), Anna Gorbachyova-Ogilvie, Anna Gorbachyova-Ogilviel, Helen Charlston (mezzo-soprano), Miriam Allan (soprano), Jess Dandy (contralto), Morgan Pearse, Hannah Poulsom, Anna Gorbachyova, London Early Opera, Bridget Cunningham
Cunningham directs Caio Fabbricio brilliantly, leading from the harpsichord to energise the other players, and to give them space to exploit juicy passages. The singers’ virtuosity and rich... —
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Women in Classics
Tamsin Waley-Cohen (violin), Eugene Asti (piano), Sarah Connolly (mezzo-soprano, soprano), Heather Shipp, Lech Napierała, Heather Shripp (mezzo-soprano), Iain Burnside (piano), Susan Bickley (mezzo-soprano), Linda Perillo (soprano), Min-Jung Kym, Daniella Ganeva, David Miller (lute), Grace Davidson...
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Celebrating Lord Nelson
Royal Philharmonic Orchestra, The Royal Philharmonic Chorus, London Early Opera, Carl Davis, Bridget Cunningham
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Handel in Italy, Volume 1
Sophie Bevan (soprano), Mary Bevan (soprano), Bridget Cunningham (harpsichord), Benjamin Bevan (baritone)
London Early Opera, Bridget Cunningham (director)
[Sophie Bevan] sings with a full feminine tone, enchanting in the slow movements, while her sister Mary sings arias from Handel's 1709 Venetian opera, Agrippina…the surprise is Benjamin Bevan,... —
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Handel at Vauxhall, Volume 1
Kirsty Hopkins (soprano), Charles MacDougall (tenor), Eleanor Dennis (soprano), Greg Tassell (tenor), Daniel Moult (organ), Benjamin Bevan (baritone), Sophie Bevan (soprano)
London Early Opera, Bridget Cunningham
Bridget Cunningham’s re-imagining of the first part of a typical evening’s entertainment puts George Frideric centrestage, and sets the scene delectably with the flirtatious bustle of the Sinfonia... —
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Handel in Italy, Volume 2
Benjamin Bevan (baritone), Sophie Bevan (soprano), Mary Bevan (soprano), Bridget Cunningham (harpsichord), Sophie Bevan (soprano) & Benjamin Bevan (baritone)
London Early Opera
London Early Opera plays with lemon-fresh strings and lean phrasing...Cunningham's own playing is delicate...There is far more bouyancy and colour in the vocal items...All three [Bevans] sing... —
