Joseph Moog
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[Moog] gives a strong performance: rich and lavishly varied in sound, powerful, panoramically phrased with an impressive command of large-scale structure, and characterised with enough sleight-of-hand... —
Awards:
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Gramophone Magazine, Awards Issue 2014, Editor's Choice
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Moog has one of those techniques that most pianists only dream about. His passagework fairly shimmers with prodigious effortlessness and his octaves are nothing short of dazzling. His fortissimo... —
Awards:
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International Classical Music Awards, 2019, Nominee - Solo Music
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Rarities of Piano Music at the Husum Festival 2012
Joseph Moog (piano), Sofja Gülbadamova (piano), Sandro Russo (piano), Gianluca Luisi (piano), Amir Tebenikhin (piano), Hubert Rutkowski (piano), Duo Grau/Schumacher
Denmark's annual feast of pianistic weirdness returns with a way-out selection. Highlights include sensuous Reynaldo Hahn from Sofja Gülbadamova and some memorable preludes by Glière. —
Awards:
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Gramophone Magazine, November 2013, Editor's Choice
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Moog decides to pair Debussy’s tricky Études with that other keyboard Everest, Ravel’s Gaspard de la nuit. He meets all the technical challenges, and it’s an interesting listen. —
Awards:
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International Classical Music Awards, 2019, Nominee - Solo Music
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Grieg & Moszkowski: Piano Concertos
Joseph Moog (piano)
Deutsche Radio Philharmonie Saarbrucken Kaiserslautern, Nicholas Milton
Whatever scintillates and delights is here in super-abundance…from Moog everything sparkles and thunders. A virtuoso to the manner born, notes stream from his fingers like cascading diamonds,... —
Awards:
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Gramophone Magazine, September 2015, Editor's Choice
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Brahms: Piano Concerto No.1 & Four Pieces for Piano Op. 119
Joseph Moog (piano), Deutsche Radio Philharmonie, Nicholas Milton
Moog’s first entry [is] clear and unfussy, with enough subtle rubato to give the music shape and direction. The pacing is always effective, but there could be a greater dynamic range, with pianissimos... —
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Joseph Moog and Kai Adomeit are fully attuned to the more percussive aspects of Rachmaninov’s writing. In the outer sections of the f inal dance, they batter the listener with high voltage dynamically... —
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Moog, as usual, uses his blazing technique – his digital dexterity, his meticulous articulation, his unerring balances – to make the most of the music’s textural ingenuity, miraculously neutralising... —
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Reger: Piano Concerto, 6 Intermezzi
Joseph Moog (piano), Deutsche Radio Philharmonie Saarbrucken Kaiserslautern, Deutsche Radio Philharmonie Saarbrubrucken Kaiserslautern, Nicholas Milton
Moog has the virtuosity to negotiate Reger’s finger-twisting demands, as well as the tonal resources for the chordal textures of the other intermezzi. If you like the idea of Brahms on steroids,... —
