John Surman
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In Darkness Let Me Dwell
John Potter (tenor)
Barry Guy (double bass), Maya Homburger (violin), Stephen Stubbs (lute), John Surman (soprano saxophone, bass clarinet)
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Richard Galliano plays Nino Rota
Richard Galliano (accordion), John Surman, Dave Douglas, Boris Kozlov, Clarence Penn
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The Dowland Project / John Potter - Romaria
John Potter (tenor)
The Dowland Project - Milos Valent (violin & viola), John Surman (soprano saxophone, bass clarinet, tenor & bass recorders) & Stephen Stubbs (baroque guitar & vihuela)
With this, its third mesmeric and magical album, the Dowland Project applies its modus operandi - developing new realisations of early music through improvisation and experimental interaction... —
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The Dowland Project & John Potter: Night Sessions
John Potter (tenor), John Surman (saxophones, bass clarinet, percussion), Stephen Stubbs (lute), Maya Homburger (violin), Milos Valent (violin, viola) & Barry Guy (double bass)
This album has all the virtues and delights of the previous ones. If anything, it's more challenging and experimental. These immaculate, lithe performances, replete with passion, adventurousness,... —
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The Dowland Project - Care-charming Sleep
John Potter (voice)
The Dowland Project - Stephen Stubbs (chitarrone, baroque guitar), John Surman (soprano saxophone, bass clarinet), Maya Homburger (violin), Barry Guy (double bass)
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Care-charming sleep
John Potter (voice), Stephen Stubbs (chitarrone), John Surman (soprano saxophone), John Surman (bass clarinet), Barry Guy (double bass), Stephen Stubbs (baritone guitar), Maya Homburger (baroque violin)
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Selected Signs III-VIII (Music for ECM - A Cultural Archeology)
Gidon Kremer, Keith Jarrett, Tatjana Grindenko, Alfred Schnittke, Márta Kurtág, Márta & György Kurtág, Kim Kashkashian, Alexei Lubimov
Steve Reich and Musicians, Lithuanian Chamber Orchestra, Rosamunde Quartet, Münchener Kammerorchester, Saulius Sondeckis, Alexander Liebreich
Five stars for mostly reissued music might seem generous, but the way this set has been assembled creates transporting new narratives – or meditations – from sequences that were never meant... —
