New York Polyphony
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The sound is rich, intimate and mesmeric, with the ability to explore surprisingly intense and complex sonorities, considering the small forces at hand. —
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Not surprisingly, this is unrelentingly austere stuff. If, however, choral gloom is your bag, it is also an imaginatively programmed recital, immaculately sung and recorded in superb sound. —
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endBeginning: New York Polyphony
New York Polyphony: Geoffrey Williams (countertenor), Geoffrey Silver (tenor), Christopher Dylan Herbert (baritone) & Craig Phillips (bass)
With an atmospheric cover of a destroyed chapel interior, this disc of mainly 16th-century vocal music is all about death and decay...Plainsong interleaves the polyphony: the effect is ethereally... —
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The transitions between the ages are seemlessly effected, particularly impressive during back-to-back old and new performances of "Magnificat À Quatre". Recorded in New York's Cathedral of St... —
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The four male members of New York Polyphony… are the core performers, augmented as necessary by a trio of female voices, the crystalline purity of the soprano contribution to Kenneth Leighton's... —
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Sunken Cathedral
Bora Yoon (vocals), Peter Scherer (percussion), Sekou Sundiata (narrator), Chris Eddleton (percussion)
Sympho, New York Polyphony
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Gregory W. Brown: Moonstrung Air
The Crossing, Spring Ensemble, New York Polyphony, Donald Nally, Eric Dudley
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Fine Music, Vol. 5
Paige Stockley (cello), Paula Downes (soprano), Thea Lobo (mezzo-soprano), Eric Palmquist (alto saxophone), Emily Sternfeld-Dunn (piano), Barry Snyder (piano), Yhasmin Valenzuela (clarinet), Hannah Shields (piano), Robert DeGaetano (piano), Eric Himy (piano), Richard Stoltzman (clarinet), Saraiya...
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