Dorothee Mields
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Special offer. Bach: Johannes-Passion, BWV 245
Stephan Gähler, Philipp Kaven, Magdalena Podkościelna (soprano), Krešimir Stražanac, Robin Tritschler (tenor), Damien Guillon, Dorothee Mields (soprano), Peter Kooij (bass), Maximilian Schmitt (tenor), Collegium Vocale Gent, Philippe Herreweghe
Herreweghe’s unswerving focus is evident from the opening chorus, whose elemental summons is exactingly calibrated, dark-grained and resolute…Schmitt’s Evangelist narrates with exemplary pacing... —
Awards:
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Gramophone Magazine, March 2020, Editor's Choice
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Record Review, 22nd February 2020, Record of the Week
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BBC Music Magazine, May 2020, Choral & Song Choice
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Gramophone Awards, 2020, Shortlisted - Choral
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Gramophone Magazine, Critics' Choice 2020
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Special offer. JS Bach: Cantatas Nos. 45 & 198 & Motet 'O Jesu Christ, mein Lebens Licht'
RecommendedDorothee Mields (soprano), Alex Potter (counter-tenor), Thomas Hobbs (tenor), Peter Kooij (bass), Collegium Vocale Gent. Philippe Herreweghe
O Jesu Christ, meins Lebens Licht, is tailor-made for Herreweghe. No one else peels back those tactile homogeneous phrases with quite such luminosity and deep-seated finesse as Collegium Vocale. —
Awards:
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Gramophone Magazine, June 2021, Editor's Choice
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Presto Recordings of the Year, Finalist 2021
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Gramophone Awards, 2022, Finalist - Choral
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Special offer. Charpentier: La couronne de fleurs & La descente d'Orphée aux enfers
RecommendedAaron Sheehan (tenor), Teresa Wakim (soprano), Amanda Forsythe (soprano), Douglas Williams (bass-baritone), Jesse Blumberg (baritone), Dorothee Mields (soprano), Mireille Lebel (mezzo-soprano), Jason McStoots (tenor), Zachary Wilder (tenor)
Boston Early Music Festival Orchestra, Boston Early...
Sheehan, who sings the role of Orpheus, [delivers] a finely nuanced interpretation...Amanda Forsythe is a charming Euridice and Roselie, Teresa Wakim a beautifully styled Flore, and Dorothee... —
Awards:
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Gramophone Magazine, September 2014, Editor's Choice
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Gramophone Awards, 2015, Finalist - Baroque Vocal
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Grammy Awards, 57th Awards (2014), Best Opera Recording
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Opera, August 2014, Recording of the Month
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Barbara Strozzi: A portrait in Five Acts
Duets for Two Sopranos
Dorothee Mields (soprano), Hana Blažiková (soprano), Hathor Consort, Romina Lischka
I could listen to Dorothee Mields and Hana Blažíková's dovetailed duetting all day long. —
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Special offer. Bach, J S: Mass in B minor, BWV232
RecommendedCollegium Vocale Gent, Philippe Herreweghe
Herreweghe's account proves outstanding. The Collegium Vocale Gent, from which the soloists are drawn, is numerous enough [to] create warm lines, contrasting with the crisper tone of the instruments... —
Awards:
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Presto Recording of the Week, 4th June 2012
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Gramophone Awards, 2012, Finalist - Baroque Vocal
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Special offer. Monteverdi: Vespro della beata Vergine (1610)
Collegium Vocale Gent, Philippe Herreweghe
Over 30 years later, Herreweghe’s radical rethinking yields shaded flexibility and kaleidoscopic dynamism...One never senses a dictating ego controlling proceedings; there is a spirit of collective... —
Awards:
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Gramophone Magazine, October 2018, Editor's Choice
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Gramophone Awards, 2019, Finalist - Choral
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Audio formats guide -
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Special offer. Bach: Cantatas BWV 6, 99 & 147
Alex Potter (soloist), Dorothee Mields (soloist), Peter Kooij (soloist), Guy Cutting (soloist), Collegium Vocale Gent, Philippe Herreweghe
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Special offer. JS Bach: Du treuer Gott
Leipzig Cantatas BWV 101 – 103 – 115
Collegium Vocale Gent, Philippe Herreweghe
Collegium Vocale Gent rise to the occasion splendidly, sounding responsive and sensitive to the thoughtful direction of Philippe Herreweghe. The 12-voice choral texture is ideal, achieving greater... —
Awards:
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Record Review, 11th November 2017, Recording of the Week
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Special offer. Handel: Alexander's Feast
Dorothee Mields (soprano), Paul Agnew (Tenor), Woong-jo Choi (bass) & Judith Berning (alto)
Aachener Kammerchor, Overbacher Kammerchor & Sinfonieorchester Aachen, Marcus Bosch
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Dorothee Mields reveals herself here as an artist of the first order, broadening out from the Baroque repertory for which she is best known. Her instrument is gorgeous: lustrous, precise, and... —
