Irene Dalis
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Special offer. Wagner: Götterdämmerung
Hans Hopf (Siegfried), Birgit Nilsson (Brünnhilde), Norman Mittelmann (Gunther), Gladys Kuchta (Gutrune), Gottlob Frick (Hagen), Ralph Herbert (Alberich), Irene Dalis (Waltraute), Martina Arroyo (Woglinde/Dritte Norn), Irene Dalis (Zweite Norn), Jean Madeira (Erste Norn), Rosalind Elias (Wellgunde),...
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Special offer. Wagner: Parsifal
George London (Amfortas), Martti Talvela (Titurel), Hans Hotter (Gurnemanz), Jess Thomas (Parsifal), Gustav Neidlinger (Klingsor), Irene Dalis (Kundry)
Chor und Orchester der Bayreuther Festspiele, Hans Knappertsbusch
The pre-eminent conductor of Wagner's final opera is highly persuasive, and though the soloists do not quite match his 1951 ensemble there are exceptional contributions, notably from Hotter. —
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Verdi: Aida (Live)
Giorgio Tozzi (bass), Carlo Bergonzi (tenor), Irene Dalis (mezzo-soprano), Maria Curtis Verna, Louis Sgarro, Robert Nagy, Robert Merrill (baritone), Helen Vanni, Metropolitan Opera, Metropolitan Opera Chorus, Fausto Cleva
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Wagner: Parsifal – 1962 Recording
Hans Hotter (bass), Gerd Nienstedt (bass), Niels Moller (tenor), Irene Dalis (soprano), Sona Cervena (soprano), Ursula Boese (contralto), Gerhard Stolze (tenor), Georg Paskuda (tenor), George London (baritone), Jess Thomas (tenor), Martti Talvela (bass), Gustav Neidlinger (bass), Gundula Janowitz...
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Wagner: Tristan und Isolde - Rehearsal (Böhm); Parsifal 1962 - Interviews (Knappertsbusch)
Wolfgang Windgassen (tenor), Eberhard Wächter (baritone), Harold Lawrence (narrator), Peter Grevina (narrator), Irene Dalis (narrator), George London (narrator), Bayreuther Festspielorchester, Karl Böhm
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Verdi: Il Trovatore
Leontyne Price (Leonora), Irene Dalis (Azucena), Franco Corelli (Manrico), Mario Sereni (Il Conte di Luna), William Wilderman (Ferrando), Teresa Stratas (Ines), Charles Anthony (Ruiz)
Orchestra and Chorus of the Metropolitan Opera, Fausto Cleva
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Special offer. Verdi: Aida
Irene Dalis (Amneris), Gabriella Tucci (Aida), Franco Corelli (Radamès), Giorgio Tozzi (Ramfis), Cornell Mac Neil (Amonasro)
Orchestra & Chorus of the Metropolitan Opera House, George Schick
Aida is sung by the under-recorded Gabriella Tucci, who provides some truly lovely touches, especially some exquisitely floated top notes…Corelli is in extremely good voice. —
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Special offer. Wagner: Das Rheingold
George London (Wotan), Irene Dalis (Fricka), Ralph Herbert (Alberich(, Karl Liebl (Loge), Jean Madeira (Erda), Jerome Hines (Fasolt), Ernst Wiemann (Fafner), Heidi Krall (Freia), Robert Nagy (Froh), Norman Mittelmann (Donner), Paul Kuen (Mime), Martina Arroyo (Woglinde), Rosalind Elias (Wellgunde)...
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Verdi: Don Carlo
Four-act version
Leonie Rysanek (Elisabetta), Irene Dalis (Eboli), Franco Corelli (Don Carlo), Nicolae Herlea (Rodrigo), Giorgio Tozzi (Filippo II), Hermann Uhde (Il Grande Inquisitore), Marcia Baldwin (Tebaldo), Junetta Jones (Una voce dal cielo), Justino Díaz (Un Frate)
Metropolitan Opera, Kurt Adler
Corelli, one of the period's most viscerally exciting tenors, adds high notes and generally shows off, but in a way that is regularly thrilling. Leonie Rysanek's Elisabetta possesses discretion... —
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Her searing account of 'Divinités du Styx' (auf Deutsch) is something formidable, and her 'Bel raggio lusinghier', stylishly sung in the original key with good coloratura, comes as a revelation.... —