Tim Mead
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JS Bach: Matthäus-Passion
RecommendedJulian Prégardien (Evangelist), Stéphane Degout (Christus), Sabine Devieilhe & Hana Blažiková (sopranos), Lucile Richardot (mezzo), Tim Mead (countertenor), Reinoud Van Mechelen & Emiliano Gonzalez Toro (tenors), Christian Immler (bass-baritone)
Pygmalion, Raphaël Pichon
The choirs are razor-sharp in their ensemble, and if they seem initially soft-grained (in keeping with Pichon’s essentially intimate approach), their incisiveness eventually locates real venom... —
Awards:
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Gramophone Magazine, April 2022, Recording of the Month
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Presto Recording of the Week, 15th April 2022
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Gramophone Awards, 2022, Recording of the Year and Choral Award
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Building a Library, October 2022, Also Recommended
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International Classical Music Awards, 2023, Nominated - Baroque Vocal
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Presto Recordings of the Year, Winner 2022
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Special offer. Handel: Amadigi di Gaula
Tim Mead (Amadigi), Mary Bevan (Melissa), Anna Dennis (Oriana), Hilary Summers (Dardano), Patrick Terry (Orgando), Early Opera Company, Christian Curnyn
Handel took a less-is-more approach to his Amadigi di Gaula. Christian Curnyn’s answering restraint reveals the stark solos, shimmering textures, ringing silences and stunning one-to-a-part... —
Awards:
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BBC Music Magazine, November 2022, Opera Choice
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Gramophone Magazine, November 2022, Editor's Choice
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International Classical Music Awards, 2023, Nominated - Baroque Vocal
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Gramophone Magazine, Critics' Choice 2022
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Bach, J S: Mass in B minor, BWV232
RecommendedKatherine Watson (soprano), Tim Mead (countertenor), Reinoud Van Mechelen (tenor) & André Morsch (baritone)
Les Arts Florissants, William Christie
This account was recorded ‘live’ at the Paris Philharmonie and there’s a sheen of polished spontaneity to it… Tempos are brisk and breezy…and Christie puts the ballet shoes on Bach, so that... —
Awards:
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Presto Recording of the Week, 30th March 2018
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Record Review, 17th February 2018, Recording of the Week
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The Guardian Classical Albums of the Year, 2018
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Special offer. Handel: Theodora
RecommendedLouise Alder (Theodora), Tim Mead (Didymus), Anna Stéphany (Irene), Stuart Jackson (Septimius), Adam Plachetka (Valens)
Arcangelo, Jonathan Cohen
The balance of Cohen’s vigorously confident singers and players allows him to make his ensemble a major character in the story...The soloists also play their parts, led by Louise Alder as the... —
Awards:
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Gramophone Magazine, March 2024, March 2024
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Building A Library, June 2024, Recommended Recording
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Bach, J S: Mass in B minor, BWV232
RecommendedLydia Teuscher (soprano), Ida Falk Winland (soprano), Tim Mead (countertenor), Samuel Boden (tenor), Neal Davies (bass)
Arcangelo, Jonathan Cohen
Cohen's take side-steps Joshua Rifkin's premise that it should be sung one-to-a-part and fields a choir of 20...Cohen announces the Credo at an invigoratingly purposeful lick...Tim Mead's eloquently... —
Awards:
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Gramophone Magazine, November 2014, Editor's Choice
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Presto Recordings of the Year, Finalist 2014
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Gramophone Awards, 2015, Finalist - Baroque Vocal
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Special offer. Handel: Rodelinda
RecommendedLucy Crowe (Rodelinda), Iestyn Davies (Bertarido), Joshua Ellicott (Grimoaldo), Brandon Cedel (Garibaldo), Jess Dandy (Eduige), Tim Mead (Unulfo), The English Concert, Harry Bicket
Bicket’s artistic integrity makes his the definitive Rodelinda. His subtlety pays off especially in slow movements, which are more suspenseful and ravishing than in any previous recording...Crowe’s... —
Awards:
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Gramophone Magazine, July 2026, Critics' Choice 2021
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Presto Recording of the Week, 14th May 2021
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Gramophone Magazine, July 2021, Editor's Choice
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BBC Music Magazine, July 2021, Recording of the Month
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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BBC Music Magazine Awards, 2022, Shortlisted - Opera
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Handel: Brockes-Passion
RecommendedRobert Murray, Cody Quattlebaum, Elizabeth Watts, Ruby Hughes, Tim Mead, Gwilym Bowen, Nicky Spence
Academy of Ancient Music, Richard Egarr
This formidably well-documented project is matched by a comparably sympathetic performance, Egarr paces the piece unhurriedly, recognising Handel’s often vivid responses to Brockes’s graphic... —
Awards:
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Gramophone Magazine, November 2019, Editor's Choice
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Presto Recordings of the Year, Finalist 2019
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BBC Music Magazine, Christmas 2019, Choral & Song Choice
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The Times Records of the Year, 2019
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BBC Music Magazine Awards, 2020, Finalist - Choral
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Special offer. Handel: The Triumph of Time and Truth
RecommendedSophie Bevan, Mary Bevan (sopranos), Tim Mead (countertenor), Ed Lyon (tenor), William Berger (bass)
Ludus Baroque, Richard Neville-Towle
Both Bevans sing with lustrous tone, natural agility and exquisite decorations, Lyon and William Berger (Time) with taut elegance and Tim Mead (Counsel) with immaculate poise. Though Neville-Towle's... —
Awards:
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Gramophone Magazine, August 2014, Editor's Choice
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Presto Recordings of the Year, Finalist 2014
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Special offer. Handel: Flavio
Tim Mead (Flavio), Rosemary Joshua (Emilia), Iestyn Davies (Guido), Renata Pokupić (Vitige), Hilary Summers (Teodata), Thomas Walker (Ugone), Andrew Foster-Williams (Lotario)
Early Opera Company, Christian Curnyn
Flavio has some fine music, but is rarely performed...The aria 'Amante stravagante'...nicely displays [Joshua's] bright, silvery tone...The vocal star is Renata Pokupic as Vitige. Her 'Non credo'... —
Awards:
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Gramophone Awards, 2011, Finalist - Baroque Vocal
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Special offer. Bach, J S: St Matthew Passion, BWV244
Amaryllis Dieltiens (soprano), Siri Karoline Thornhill (soprano), Tim Mead (alto), Matthew White (alto), Gerd Türk (tenor - Evangelist), Julian Podger (tenor), Charles Daniels (tenor), Peter Harvey (bass) & Sebastian Noack (bass)
The Netherlands Bach Society with Kampen Boys Choir, Jos...
He has two quartets of soloists which also provide Choirs 1 and 2, but adds eight more voices to the first choir so the double choruses are unbalanced, 12 singers pitted against four. It's astonishingly... —
Awards:
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BBC Music Magazine, May 2011, Choral & Song Choice
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