Rosalind Plowright
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Lise Davidsen: Beethoven - Wagner - Verdi
RecommendedLise Davidsen (soprano), London Philharmonic Orchestra, Sir Mark Elder
Her voice reminds me now of Birgit Nilsson’s at the same stage, an Elsa and Sieglinde who is a Brünnhilde in waiting, with the same thrilling edge to her top register, though she isn’t lacking... —
Awards:
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Gramophone Magazine, April 2021, Editor's Choice
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Presto Recording of the Week, 2nd April 2021
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BBC Music Magazine, June 2021, Opera Choice
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Gramophone Awards, 2021, Shortlisted - Voice & Ensemble
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International Classical Music Awards, 2022, Nominated - Vocal
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Special offer. Humperdinck: Hänsel & Gretel
RecommendedRebecca Evans (Gretel), Jennifer Larmore (Hansel), Jane Henschel (The Witch), Rosalind Plowright (Gertrude), Robert Hayward (Peter), Sarah Tynan (Dew Fairy), Diana Montague (Sandman), Sarah Coppen (Cuckoo)
Philharmonia Orchestra & New London Children’s Choir, Sir Charles Mackerras
What distinguishes this version is primarily the vigorous and large-scale conducting of Sir Charles Mackerras. —
Awards:
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BBC Music Magazine, August 2007, Opera Choice
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Gramophone Magazine, September 2007, Editor's Choice
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Grammy Awards, 50th Awards (2007), Best Opera Recording
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Special offer. Barber: Vanessa
RecommendedEmma Bell (Vanessa), Virginie Verrez (Erika), Edgaras Montvidas (Anatol), Rosalind Plowright (The Old Baroness)
The Glyndebourne Chorus & London Philharmonic Orchestra, Jakub Hrůša (conductor) & Keith Warner (director)
Veteran Rosalind Plowright, moving down from soprano to mezzo repertoire, is an effective Baroness; Edgaras Montvidas is a fine Anatol with a handsome presence, if not quite in Nicolai Gedda’s... —
Awards:
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Presto Recording of the Week, 7th June 2019
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Gramophone Magazine, August 2019, DVD/Blu-ray of the Month
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Presto Recordings of the Year, Finalist 2019
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International Classical Music Awards, 2019, Nominee - Video Performance
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BBC Music Magazine Awards, 2020, Winner - DVD/Blu-ray
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Gramophone Awards, 2020, Finalist - Opera
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Special offer. Barber: Vanessa
RecommendedEmma Bell (Vanessa), Virginie Verrez (Erika), Edgaras Montvidas (Anatol), Rosalind Plowright (The Old Baroness)
The Glyndebourne Chorus & London Philharmonic Orchestra, Jakub Hrůša (conductor) & Keith Warner (director)
Veteran Rosalind Plowright, moving down from soprano to mezzo repertoire, is an effective Baroness; Edgaras Montvidas is a fine Anatol with a handsome presence, if not quite in Nicolai Gedda’s... —
Awards:
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Presto Recording of the Week, 7th June 2019
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Gramophone Magazine, August 2019, DVD/Blu-ray of the Month
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Presto Recordings of the Year, Finalist 2019
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International Classical Music Awards, 2019, Nominee - Video Performance
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BBC Music Magazine Awards, 2020, Winner - DVD/Blu-ray
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Gramophone Awards, 2020, Finalist - Opera
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Verdi: La forza del destino
Recommended(complete opera)
Rosalind Plowright, Agnes Baltsa, José Carreras, Renato Bruson, Paata Burchuladze, Juan Pons, John Tomlinson
Ambrosian Opera Chorus, Philharmonia Orchestra, Giuseppe Sinopoli
Awards:
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Gramophone Awards, 1987, Winner - Opera
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Verdi: Il Trovatore
(complete opera)
Plácido Domingo, Rosalind Plowright, Brigitte Fassbaender, Giorgio Zancanaro, Evgeny Nesterenko
Orchestra & Chorus of Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
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Special offer. Donizetti: Mary Stuart
Dame Janet Baker (Mary Stuart), Rosalind Plowright (Elizabeth I), David Rendall ( Leicester), Alan Opie (Sir William Cecil), John Tomlinson (George Talbot, Earl of Shrewsbury), Angela Bostock (Hannah Kennedy)
English National Operas, Sir Charles Mackerras
This revival celebrates the association of Janet Baker and Charles Mackerras within the context of the ENO company and one of its most memorable productions. For those who saw this, the set... —
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Forever Domingo
Plácido Domingo (tenor), Nicolai Ghiaurov (bass), Piero Cappuccilli (baritone), Rosalind Plowright (soprano)
Wiener Philharmoniker, Wiener Sangerknaben, Philharmonia Orchestra, Orchestra and Chorus of the Royal Opera House, Covent Garden, Los Angeles Philharmonic, Orchestra del Teatro alla...
Domingo shows his lighter side in souped-up arrangements of popular songs and a clutch of standard arias —
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