Evgeny Nikitin
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Special offer. Wagner: Parsifal
RecommendedEvgeny Nikitin (Amfortas), Christian Elsner (Parsifal), Franz-Josef Selig (Gurnemanz), Michelle DeYoung (Kundry/Stimme aus der Hohe), Dimitry Ivaschenko (Titurel), Eike Wilm Schulte (Klingsor)
Rundfunkchor Berlin & Rundfunk-Sinfonieorchester Berlin, Marek Janowski
It has spontaneity of something which has sunk so deeply into the performers' minds and souls that they can throw caution to the wind and still be accurate...Elsner is a wonderfully sensitive... —
Awards:
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Presto Recording of the Week, 26th March 2012
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BBC Music Magazine Awards, 2013, Award for Technical Excellence
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Opera, August 2012, Recording of the Month
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Wagner: Lohengrin
Klaus Florian Vogt (Lohengrin), Camilla Nylund (Elsa), Katarina Dalayman (Ortrud), Evgeny Nikitin (Friedrich von Telramund), Falk Struckmann (Heinrich der Vogler)
Royal Concertgebouw Orchestra, Netherlands Radio Choir, Dutch National Opera Chorus, Mark Elder
This is in some ways the finest modern recording of Lohengrin, in the first place on account of Sir Mark Elder’s superbly detailed, passionate and large-scale conducting of the Royal Concertgebouw... —
Awards:
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Presto Editor's Choice, April 2017
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Record Review, 6th May 2017, Recording of the Week
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Mahler: Symphonies 1-9
Elena Mosuc (soprano - Symphony No. 2) & Zlata Bulycheva (mezzo - Symphony No. 2), Anna Larsson (contralto - Symphony No. 3), Laura Claycomb (soprano - Symphony No. 4), Viktoria Yastrebova, Ailish Tynan, Ludmila Dudinova (sopranos - Symphony No. 8), Lilli Paasikivi, Zlata Bulycheva (mezzo-sopranos...
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Berlioz: Roméo et Juliette, Op. 17
RecommendedOlga Borodina (mezzo-soprano), Kenneth Tarver (tenor), Evgeny Nikitin (bass)
London Symphony Orchestra, London Symphony Chorus & Guildhall School Singers, Valery Gergiev
Gergiev, in this live account, inclines towards operatic fire and pace, occasionally headlong, but with a clarity and hushed, atmospheric pianissimo finely captured by the spacious SACD recording. —
Awards:
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Presto Recording of the Week, 8th July 2016
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Mahler: Symphony No. 8 ‘Symphony of a Thousand’
Viktoria Yastrebova, Ailish Tynan (soprano), Lilli Paasikivi, Zlata Bulycheva, Sergey Semishkur, Alexey Markov, Evgeny Nikitin (bass), Choir of Eltham College (, Ludmila Dudinova, London Symphony Orchestra, Choir of Eltham College, Choral Arts Society Washington, London Symphony Chorus, Valéry Gergiev
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Special offer. Mussorgsky: Boris Godunov
including Putilin, Vaneev & Borodina
Kirov Opera & Orchestra, St. Petersburg, Valery Gergiev
What we have here is, literally, two operas for the price of one. That's to say, the two discs containing Mussorgsky's first Boris Godunov and the three containing his second are available at... —
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Special offer. Wagner: Opera Arias
Yevgeny Nikitin (bass-baritone), Michaela Schuster (mezzo-soprano)
Liege Philharmonic Orchestra, Christian Arming
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Special offer. Prokofiev: Semyon Kotko, Op. 81
(complete opera)
Viktor Lutsiuk, Ludmila Filatova, Tatiana Pavlovskaya, Olga Savova
Kirov Opera & Orchestra, Valery Gergiev
Gergiev draws soloists, orchestra and the fine chorus into an opera which, for all its five acts, is taut and gripping in its emotional thrust. —
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Mahler: Symphony No. 8 in E flat major 'Symphony of a Thousand'
Viktoria Yastrebova, Ailish Tynan, Ludmila Dudinova (sopranos), Lilli Paasikivi, Zlata Bulycheva (mezzo-sopranos), Alexey Markov (baritone), Sergey Semishkur (tenor) & Evgeny Nikitin (bass)
Choir of Eltham College, Choral Arts Society of Washington, London Symphony Chorus & London Symphony...
As a concert venue St Paul's Cathedral's problems remain acute: chief culprit is the building's notorious nine-second reverberation period which gives climaxes earth-shattering power but reduces... —
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Mahler: Symphony No. 8
Simone Schneider (soprano), Jacquelyn Wagner (soprano), Regula Mühlemann (soprano), Claudia Mahnke (mezzo-soprano), Katharina Magiera (contralto), Simon O'Neill (tenor), Michael Nagy (baritone), Evgeny Nikitin (bass), Münchner Philharmoniker, Valery Gergiev
Of the soloists – who need to form an essential chain of excellence – the women come off better…The men just about manage the stress of their high-lying parts but convey much less of the meaning…The... —
