Robert Tear
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Special offer. George Dyson: The Canterbury Pilgrims
RecommendedYvonne Kenny (soprano), Robert Tear (tenor) & Stephen Roberts (baritone)
London Symphony Chorus & London Symphony Orchestra, Richard Hickox
This superb offering of a full-length cantata based on the Prologue to Chaucer's Canterbury Tales bears out its reputation as Dyson's masterpiece. It's a fresh, tuneful work, aptly exuberant... —
Awards:
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Gramophone Awards, 1997, Winner - Engineering
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Mozart: Le nozze di Figaro, K492
RecommendedLucia Popp (Susanna), Kiri Te Kanawa (Countess), Frederica von Stade (Cherubino), Samuel Ramey (Figaro), Thomas Allen (Count)
London Philharmonic Orchestra, Sir Georg Solti
Kiri te Kanawa sings the Countess's aria with meltingly beautiful tone...The discreet flirtation with Cherubino...is done with some feeling...Thomas Allen is quite simply superb as the Count. —
Awards:
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Grammy Awards, 26th Awards (1983), Best Opera Recording
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Bach, J S: St John Passion, BWV245
RecommendedSung in English
Peter Pears (Evangelist), Heather Harper (soprano), Alfreda Hodgson (contralto), Robert Tear (tenor), Gwynne Howell (Jesus), John Shirley-Quirk (bass)
English Chamber Orchestra, Benjamin Britten
Britten characteristically refuses to follow any set tradition, whether Baroque, Victorian or whatever, and, with greater extremes of tempo than is common (often strikingly fast), the result... —
Awards:
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Penguin Guide, Rosette
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Purcell: The Indian Queen, Z630, etc.
RecommendedApril Cantelo (soprano), Wilfred Brown/Robert Tear/Iam Partridge (tenors), Christopher Keyte (bass), Elsie Morison/Heather Harper/Mary Thomas (sopranos), John Whitworth (countertenor), David Galliver/Wilfred Brown (tenors), John Cameron (baritone), Hervey Alan/Trevor Anthony (basses)
English...
Awards:
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Penguin Guide, Rosette
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New. Mozart: Requiem in D Minor, K.626
Helen Donath (soprano), Christa Ludwig (mezzo-soprano), Robert Tear (tenor), Robert Lloyd (bass), Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini
This is above all a lyrical performance, both chorally and, more particularly, in the solo music, the realisation of which gave me especial pleasure. Giulini’s attentiveness to line is always... —
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2 Vinyl Records
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Special offer. Gerald Finzi - Songs
John Carol Case (baritone), Robert Tear (tenor), Neil Jenkins (tenor) & Howard Ferguson (piano)
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Very Best of English Song
RecommendedDame Janet Baker (mezzo), Gerald Moore (piano), Sir Thomas Allen (baritone), Geoffrey Parsons (piano), Anthony Rolfe Johnson (tenor), David Willison (piano), Ian Partridge (tenor), Janet Craxton (piano), Ian Bostridge (tenor), Julius Drake (piano), Jonathan Lemalu (bass-baritone), Roger Vignoles...
Awards:
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Building a Library, June 2018, Also recommended
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Building a Library, January 2021, Recommended orchestral version (Songs of Travel)
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British Music Collection - Gustav Holst
Janet Baker (mezzo-soprano), Robert Tear (tenor), Thomas Hemsley (baritone), Osian Ellis (harp)
Purcell Singers, English Chamber Orchestra, St Paul Chamber Orchestra, London Philharmonic Orchestra, BBC Symphony Orchestra, Grimethorpe Colliery Band, Imogen Holst, Christopher Hogwood, Adrian...
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Mozart: Requiem in D minor, K626
Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk
The Academy of St Martin-in-the-Fields, Sir Neville Marriner
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Shostakovich: Lady Macbeth of Mtsensk
RecommendedGalina Vishnevskaya (Katerina), Nicolai Gedda (Sergey), Dimiter Petkov (Boris), Werner Krenn (Zinovi), Robert Tear (Shabby Peasant), Taru Valjakka (Aksinya), Birgit Finnilä (Sonyetka)
London Philharmonic Orchestra & Ambrosian Opera Chorus, Mstislav Rostropovich
the inimitable Galina Vishnevskaya makes the title role her own, ably assisted by Nicolai Gedda as her illicit lover Sergei. —
Awards:
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Building a Library, June 2018, Also Recommended
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