Klenke Quartet
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the Adagio at the start of the Finale, one of Mozart’s finest inspirations, is very sensitively done; and the players move pleasingly into the ‘boys and girls come out to play’ Allegro. —
Awards:
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Record Review, 19th January 2019, Disc of the Week
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International Classical Music Awards, 2019, Nominee - Chamber Music
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Special offer. The Musical Advent Calendar Volume 5
Michael Pohlmann, Sira Selugga, Thomas Frassle and Voice Event Gospel Choir, The, Thomas Frassle, Thomas Hopp, Christiane Gawron, Uwe Serr, Roland Kunz, Paula Maria Kunz, Andreas Puttkammer, Original Rheinland-Pfalz Musikanten, Stuttgart Hymnus Boys' Choir, Ludwigsburg Brass Quintet, Voice Event...
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here the repose of a slow movement is achieved through the right degree of flexibility and emphasis in the playing of the small notes. It's a performance no less remarkable than that of the... —
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…the performances of these two wonderfully expressive works realise their drama, dialogue and repartee in the most natural way. I enjoyed especially the high spirits and wit of K387's fugal... —
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The all-female, Weimar-trained Klenke Quartett, an unusually homogeneous ensemble, play [the quartets] with delicacy and brio, though a slightly broader tempo for K499’s adagio might have made... —
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50 String Quartet Tracks
Berlin String Quartet, Rosamunde Quartet, Suske Quartet, Carl Philipp Emanuel Bach Chamber Orchestra, Ulbrich Quartet, Klenke Quartet, Gewandhaus Quartet, Hartmut Haenchen
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Mayer: Symphony No. 4
Ewa Kupiec (piano), Yang Tai (piano)
Neubrandenburger Philharmonie, Klenke Quartet, Stefan Malzew, Sebastian Tewinkel
A welcome disc of works by the German Romantic composer. The performances are robust; the symphony a discovery. —
