Alexandrina Pendatchanska
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Mozart: La clemenza di Tito, K621
RecommendedMark Padmore (Tito), Alexandrina Pendatchanska (Vitellia), Bernarda Fink (Sesto), Marie-Claude Chappuis (Annio), Sunhae Im (Servilia) & Sergio Foresti (Publio)
RIAS Kammerchor & Freiburger Barockorchester, René Jacobs
A high-voltage performance with vivid characterisations —
Awards:
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Building a Library, September 2006, First Choice
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Record Review, December 2006, Critics Disc of the Year
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Mozart: Don Giovanni, K527
RecommendedJohannes Weisser (Don Giovanni), Lorenzo Regazzo (Leporello), Alexandrina Pendatchanska (Donna Elvira), Olga Pasichnyk (Donna Anna), Kenneth Tarver (Don Ottavio), Sunhae Im (Zerlina), Nikolay Borchev (Masetto), Alessandro Guerzoni (Il Commendatore)
Freiburger Barockorchester, René Jacobs
If Jacobs is hardly the first modern conductor to present the opera in its 'original colours', his Don Giovanni is among the liveliest and most enjoyable on offer. It is certainly one of the... —
Awards:
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Presto Recording of the Week, 1st October 2007
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Gramophone Magazine, Awards Issue 2007, Disc of the Month
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Mozart: Idomeneo, K366
RecommendedRichard Croft (Idomeneo), Bernarda Fink (Idamante), Sunhae Im (Ilia), Alexandrina Pendatchanska (Elettra), Kenneth Tarver (Arbace), Nicolas Rivenq (Gran Sacerdote) & Luca Tittoto (La Voce)
RIAS Kammerchor & Freiburger Barockorchester, René Jacobs
Jacob's strongest players are the superb Idamante of Bernarda Fink: tender, ardent and in touch with every nerve-ending of every beautifully shaped phrase. Alexandrina Pendatchanska, from her... —
Awards:
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Presto Recording of the Week, 18th May 2009
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Gramophone Magazine, August 2009, Editor's Choice
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Mozart: La finta giardiniera, K196
Recommendedposthumous version from 1796
Sophie Karthäuser (Sandrina/Violante), Nicolas Rivenq (La Podesta), Jeremy Ovenden (Il Contino Belfiore), Alex Penda (Arminda), Marie-Claude Chappuis (Ramiro), Sunhae Im (Serpetta), Michael Nagy (Nardo/Roberto)
Freiburger Barockorchester, René Jacobs
Jacobs's interpretations are always interesting, but here they slip between the magically unique and the quirky. The magical elements include the beautifully effective new orchestration of the... —
Awards:
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Presto Recording of the Week, 10th September 2012
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Special offer. Glinka: Ruslan and Lyudmila
Albina Shagimuratova (Lyudmila), Mikhail Petrenko (Ruslan), Yuri Minenko (Ratmir), Almas Svilpa (Farlaf), Alexandrina Pendatchanska (Gorislava), Charles Workman (Finn / Bayan), Elena Zaremba (Naina)
Bolshoi Theatre Orchestra & Chorus, Vladimir Jurowski
Viewers who already know the work will get the most out of this version, yet it never completely loses sight of the opera’s essential spirit. —
Awards:
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Diapason d’Or de l’Année, 2017, Winner - Opéra
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Young Voices of Opera - Alexandrina Pendatchanska
Including music by Gounod, Massenet, Rossini and Verdi
Sofia Symphony Orchestra, Mihail Angelov
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Naxos July 2013 New Release Sampler
Alexandrina Pendatchanska (soprano), Robert Cook (horn), Peter Franks (trumpet), Javier Arnal Gonzalez (oboe), Mary Oleskiewicz (baroque flute), Laurence Cummings (harpsichord), Jonathan Manson (viola da gamba), Adrian Butterfield (baroque violin), Philip Dukes (viola), Piers Lane (piano), Thomas...
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Donizetti: Parisina d’este
Alexandrina Pendachanska (Parisina), Amedeo Moretti (Ugo), Daniela Barcellona (Imelda), Eldar Aliev (Ernesto), Ramon De Andrès (Azzo)
Gruppo Vocale Cantemus Choir, RTSI Chorus, Swiss-Italian Radio Orchestra, Emmanuel Plasson
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Opera Arias - MOZART, W.A. / ROSSINI, G. / DONIZETTI, G. / VERDI, G. / PUCCINI, G. / GOUNOD, C.-F. / OFFENBACH, J. / WAGNER, R.
Sylvia Greenberg (soprano), Ruth Ziesak (soprano), Alexandrina Pendatchanska (soprano), Lucia Aliberti (soprano), Sylvia Sass (soprano), Anna Tomowa-Sintow (soprano), Ghena Dimitrova (soprano), Ulrike Steinsky (soprano)
Frankfurt Radio Symphony Orchestra, Berlin Deutsches Symphony Orchestra,...
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