Katya Apekisheva
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In contrast to the concert-hall projection of Perlman, Liebeck plays these timeless miniatures with a salonesque intimacy and glowing cantabile to rival even the composer. —
Awards:
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Presto Recording of the Week, 31st March 2014
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Apekisheva has fabulous technique, with lovely rounded sound and deeply wrought legato… —
Awards:
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Gramophone Magazine, September 2008, Editor's Choice
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Kol Nidre
Roman Mints (violin), Kristina Blaumane, Ksenia Bashmet (piano), Katya Apekisheva (piano), Moscow Male Jewish Capella, Arnold Giskin, Alexander Tsaliuk
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Special offer. On the streets and in the sky (Works by Jonathan Dove)
Charles Owen (piano), Katya Apekisheva (piano), Philippe Sly (baritone), Sacconi Quartet
On the streets and in the sky is a meditation on the pandemic and lockdown when anxieties proliferated...With a clean, bright and incisive urgency, the Sacconis earth the resolute purposefulness... —
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Mints and Katya Apekisheva are passionate and dedicated guides to Schnittke’s expressive landscapes as they evolve from late-Shostakovian grimaces to polystylistic melanges of neo-Baroque stylisation... —
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Prospero’s Isle - Chamber Music by James Francis Brown
Tamás András (violin), Sarah-Jane Bradley (viola), Gemma Rosefield (cello), Katya Apekisheva (piano), Jack Liebeck (violin), Nicola Eimer (piano)
the performance could not be bettered in terms of overall commitment, and the disc is enhanced by admirably realistic sound as well as by Brown's pithy annotations. Pleasurable as well as enriching... —
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Throughout the programme, Apekishiva is responsive to the unscripted and spontaneous nature of the genre, while maintaining seamless phrasing and flawless tonal control…Apekisheva’s Chopin offers... —
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Lied Haga and Apekisheva do excellent things with the Franck...Keeping us aware of the evolving structure without turning the work into an exercise in form, they give the music space to expand... —
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Apekisheva certainly takes nothing for granted and brings several individual touches to Pictures...As a whole, though, Apekisheva's interpretation comes across as over-calculating and deliberate...Generally... —
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