Nicholas Wearne
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The Music of Poul Ruders, Volume 7
World Première Recordings
Flemming Dreisig (organ), Nicholas Wearne (organ), Frode Andersen (accordion)
Odense Symphony Orchestra, Athelas, Roberto Minczuk
The organ Symphony ranges from rapt contemplation to searing power. The Trio Transcendentale is attractive, the Songs and Rhapsodies are striking. —
Awards:
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Gramophone Magazine, April 2012, Editor's Choice
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Bruckner: Motets
Nicholas Wearne (organ)
Choir of St Mary’s Cathedral, Edinburgh & RSAMD Brass, Duncan Ferguson
This performance is just superb. It's the kind of disc you want to turn up to full volume and lose yourself in, whether you're of a religious bent or not. Through their crisp, measured phrases,... —
Awards:
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Gramophone Magazine, July 2011, Editor's Choice
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Special offer. Handel: Esther
RecommendedSusan Hamilton (Esther), Nicholas Mulroy (Mordecai), Matthew Brook (Haman), Thomas Hobbs (1st Israelite), Robin Blaze (Priest), James Gilchrist (Habdonah / Assuerus) & Electra Lochhead (Israelite Boy), Nicholas Wearne (organ continuo)
Dunedin Consort, John Butt
Paradoxically, a two-voices-to-a-part chorus achieves more immediacy than a larger choir, coupled with a stylish and delightfully intimate band. Yet again, Butt demonstrates that less can be... —
Awards:
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Presto Recording of the Week, 14th May 2012
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Special offer. Gabriel Jackson: Beyond The Stars
Sacred Choral Works II
Nicholas Wearne (organ)
Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson
It's the sheer fervour of the singing in Gabriel Jackson's The Glory of the Lord which gets you as it leaps, skids and (at the conclusion) yelps its paean of praise into the vibrant acoustic...The... —
Awards:
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Gramophone Magazine, October 2012, Editor's Choice
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Special offer. Handel: Alexander's Feast
Sophie Bevan (soprano), Ed Lyon (tenor), William Berger (bass), Jan Waterfield (harpsichord), Nicholas Wearne (organ continuo)
Ludus Baroque, Richard Neville-Towle
Energy and vigour are among the common properties radiated by the period instrument players and professional choristers of Richard Neville-Towle's Ludus Baroque...This exuberant performance,... —
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Organs of Edinburgh
Usher Hall – John Kitchen, St Cuthbert’s Parish Church – Thomas Laing-Reilly, Palmerston Place Church – Andrew Caskie, St Mary’s Episcopal Cathedral- Duncan Ferguson, Freemasons’ Hall – Timothy Byram-Wigfield, St Andrew’s & St George’s West Parish Church – Michael Harris, Broughton St Mary’s...
This is a magnificent package, fully befitting its subject...The entire collection is a veritable treasure-trove, a feast for lovers of organ music...Just 2,000 copies of this will ever be published... —
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Evensong at New College Oxford
Nicholas Wearne (organ), Robert Patterson (organ)
Choir of New College Oxford, Edward Higginbottom
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Handel: Messiah
Henry Jenkinson, Otta Jones, Robert Brooks (trebles), Iestyn Davies (countertenor), Toby Spence (tenor), Eamonn Dougan (bass), Nicholas Wearne (organ continuo)
Academy of Ancient Music & Choir of New College Oxford, Edward Higginbottom
Taking his cue from Handel's 1751 performances, Edward Higginbottom assigns all the soprano solos to some talented boy trebles from the Choir of New College, Oxford. Otta Jones's contribution... —
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Carols for Christmas Morning
Nicholas Wearne (organ), Joe Littlewood (treble), Edward Higginbottom (organ), Will Unwin, Ben Linton (tenors), Tom Edwards (bass), Ben Linton (tenor), Laurence Cramp (bass)
The Choir of New College Oxford
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The Art of the Chorister
An anthology of music for treble voices, spanning several centuries and a wide range of traditions.
Nicholas Wearne (organ)
Choristers of New College Oxford, Collegium Novum String Ensemble, Edward Higginbottom