John Potter
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Officium
A hauntingly beautiful combination of medieval unaccompanied choral music and jazz saxophone.
Jan Garbarek (saxophone)
Hilliard Ensemble
no matter how one views so-called crossover...or the relative unwisdom of sticking to rigid musical boundaries, the evidence remains conclusive: ''Officium'' successfully transcends any limitations... —
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Secret History - Music by Josquin and Victoria
John Potter (vocals), Anna Maria Friman (vocals), Ariel Abramovich (vihuela), Jacob Heringman (vihuela), Lee Santana (vihuela), Hille Perl (viola da gamba)
[Potter’s] approach is varied…In the Gloria of the Mass and elsewhere [he[] artfully switches between parts as he goes along so as to produce an appealing continuous vocal line. The instrumentalists... —
Awards:
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Presto Editor's Choice, August 2017
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Bryars: Nothing Like The Sun
Peyee Chen (soprano), John Potter (tenor), Gavin Friday (speaking voice), Anna Coleman (bass clarinet/clarinet), James Woodrow (electric/acoustic guitar), Rebecca Lagos (percussion), Roland Peelman (piano), Morgan Goff (viola), Imants Larsens (viola), Nick Cooper (cello), Gavin Bryars (double bass)
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Monteverdi Vespers
RecommendedSuzie LeBlanc, Barbara Borden (soprano), Alexander Schneider (countertenor), Rodrigo del Pozo (high tenor), Julian Podger, John Potter (tenor), Bertrand Chuberre, Jelle Draijer, Stephan MacLeod (bass-baritone), Leo van Doeselaar (organ)
Tragicomedia, Concerto Palatino, Stephen Stubbs
Awards:
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Building a Library, April 2007, Mid-Price Choice
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Awards:
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Building a Library, March 2018, Also Recommended
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Conductus, Vol. 3
Music & poetry from thirteenth-century France
Conductus: John Potter, John Potter (tenor), Christopher O'Gorman (tenor), Rogers Covey-Crump (tenor)
John Potter, Christopher O'Gorman and Rogers Covey-Crump once again endorse their awesome reputation as unchallenged singers of this repertory —
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Conductus, Vol. 2
Music & poetry from thirteenth-century France
John Potter (tenor), Christopher O'Gorman (tenor) & Rogers Covey-Crump (tenor)
spreading these different performances across the disc makes for a varied musical experience while leaving the opportunity for listeners who want to study more to compare the versions more directly. —
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Conductus, Vol. 1
Music & poetry from thirteenth-century France
John Potter (tenor), Christopher O'Gorman (tenor) & Rogers Covey-Crump (tenor)
Conductus proves that ascetic simplicity can be as deeply moving and aesthetically breath-taking as the mst complex, heart-on-sleeve music...It's hardly necessary to mention they are superb,... —
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This is a superb and original recording. It gives musical individuality to a group of works that have hitherto tended to sound much the same. Moreover, as a special attraction for those wanting... —
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