Daniel Grimwood
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As to Grimwood’s performances, they are compelling, fearless and nuanced, bearing all the hallmarks of having been in his fingers for a long time. —
Awards:
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Gramophone Magazine, March 2023, Editor's Choice
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Gramophone Magazine, Critics' Choice 2023
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To date, very few pianists of Grimwood’s gifts and curiosity have ventured into mainstream repertory using historical instruments, much less with a view towards what is known about 19th-century... —
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Brahms: Chamber Music
Alec Frank-Gemmill (horn), Daniel Grimwood (piano), Benjamin Marquise Gilmore (violin)
Fascinating to hear new colours in a familiar work, with Brahms’s First Cello Sonata transcribed for French horn. It makes a fine prelude to a terrific performance of the Horn Trio. —
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Whatever the technical pressures involved, Liebeck maintains his characteristically velvety warmth of sound, gently cushioning any percussive outbursts and segueing between musical events with... —
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Under [Grimwood’s] hands, the intimate and hypnotic individuality of the 1958 Preludes shines particularly bright…The youthful, sprightly and confident 1946 Sonatina by Doreen Carwithen. Alwyn’s... —
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Daniel Grimwood’s rather magnificent recording opens with a roller-coaster razzle-dazzle of the ‘Concert variations’ on a theme from Donizetti’s L’elisir d’amore. Anyone who loves Liszt and... —
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Grimwood [achieves] a really rhythmically driven set of performances...The final of the Fourth Sonata ranks as one of Grimwood's most memorable accounts for its controlled outpouring of intensity —
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[The Prophecy] evinces a propulsion and cumulative intensity that speaks very much of youthful uninhibition...At the opposite end of the spectrum are brief pieces for flute, piano quartet, and... —
