Wiener Akademie
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there is plenty to enjoy here, with just tempos, mainly crisp articulation and a thoughtful approach to style. —
Awards:
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International Classical Music Awards, 2022, Nominated - Baroque Instrumental
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Liszt: Orchestral Songs
Sunhae Im (soprano), Thomas Hampson (baritone), Orchester Wiener Akademie, Martin Haselböck
Thomas Hampson shoulders the lion’s share of the songs, and if vocally the result is a little uneven, there’s no gainsaying his clarion command, exemplary diction and perceptive narration. —
Awards:
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Gramophone Magazine, September 2023, Editor's Choice
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International Classical Music Awards, 2024, Nominated - Vocal Music
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Liszt: Legends of the Saints, Vol. 1
Martin Haselböck (organ), Tomasz Konieczny (bass-baritone), Chorus Ad Libitum, Chorus Viennensis, Stephanie Houtzeel, Florian Kaier, Wiener Akademie
Awards:
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Opus Klassik Awards, 2023, Nominated - Conductor of the Year
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Porpora: Il Gedeone
Kai Wessel, Ulf Baestlein, Linda Perillo, Henning Voss, Joerg Waschinski & Johannes Chum
Nova Vocal Ensemble & Wiener Akademie, Martin Haselböck
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Beethoven The Six Piano Concertos
Gottlieb Wallisch (fortepiano), Orchester Wiener Akademie, Martin Haselböck
Wallisch proves an exceptional Beethoven interpreter, his playing wonderfully nuanced and thought-through … His rapport with Haselböck and the orchestra is tangible throughout and these insightful... —
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Liszt: Tasso. Lamento E Trionfo & Le Triomphe Funèbre du Tasse
Orchester Wiener Akademie, Martin Haselböck
Period performances of real interest: Liszt's scoring sounds more focused than on modern instruments. The octane-level of the playing varies (like the music itself). —
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Music for the Moment: Coffee Classics
Peter Maag, Orchestra di Padova e del Veneto, Alessandra Ammara, The Russian Philharmonia, Alexander Vedernikov, Ottavio Dantone, Edoardo Catemario, Wiener Akademie, Martin Haselböck, Norberto Capelli, Hector Moreno, Brian Brooks, Gabriele Cassone, Ensemble Pian & Forte, Pietro Spada, Stefano...
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Haselböck draws from his period instrumentalists a performance that is as sonically satisfying as it is vital and well-proportioned…a most absorbing disc —
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Beethoven: Symphonies Nos. 5 & 6 'Pastoral' (Resound Collection, Vol. 8)
Wiener Akademie, Martin Haselböck
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